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Word: witness (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...wit, wisdom and rude shocks of game shows...

Author: /time Magazine | Title: Television: Truth and Consequences | 2/18/1980 | See Source »

...case in point is Sculptor David Nash, whose work belongs in the general category of land art but is infused by a wit and sweetness usually absent from that genre. Nash lives in what must be the most sodden provincial seclusion the British Isles can offer-the Welsh village of Blaenau Ffestiniog, near which, 40 years ago, the National Gallery secreted its paintings to save them from the blitz. Nash assembles his sculptures from rough tree branches, trunks and slate. His projects include a sculpture of growing trees, topiarized into the form of a dome, a sylvan abstraction that will...

Author: /time Magazine | Title: Art: From Sticks to Cenotaphs | 2/11/1980 | See Source »

...dressed as hemorrhoids when President Carter was so afflicted; two years before, when the masque theme was "The Father of Our Country," a number of Lake Shore socialites appeared as penises or sperm. No one proposes calling out a SWAT team to deal with this sort of whoopee-cushion wit. It is not sullenly antisocial, like the blaring radios the size of steamer trunks that adolescents haul onto public buses to cook up a small pot of community rage, or the occasional pistols that got waved in gas lines...

Author: /time Magazine | Title: Time Essay: Back to Reticence! | 2/4/1980 | See Source »

Unfortunately, the Tournee series cannot be discussed adequately here. It includes a number of animated commercials (Crest's battle to save Toothopolis is terrific) as well as philosophical discourse, brief wit and ironic humor, a medical polemic and the warm story of a girl outgrowing her parents. It deserves a short look...

Author: By David Frankel, | Title: Animated Characters | 1/31/1980 | See Source »

...dict (Mezzo Janet Baker, Tenor Robert Tear, Soprano Christiane Eda-Pierre, John Alldis Choir, London Symphony Orchestra, Colin Davis conductor, Philips; 2 LPs). In his final work, the ailing Berlioz took Shakespeare's Much Ado About Nothing and made it into his own Tempest, a blend of wit, ardor and gentle sadness bathed in the amber light of a late Parisian afternoon. The opera may be better heard than seen, since its extended passages of French dialogue make it problematical to stage; certainly it is a pleasure in this buoyant, graceful version by Davis, with Baker as a captivating...

Author: /time Magazine | Title: Music: Sounds for a Winter Night | 1/14/1980 | See Source »

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