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Word: witness (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...Bach's Partita No. 2 in D minor for unaccompanied violin, the piece uses a cast of 36. Cascades of energy flow from couple to couple, wit and finesse point the steps, stretchy phrasing buffets the classical meter. The work not only rewards repeated viewing, but requires it; as usual with Tharp, there are at least two things going on simultaneously, complementing or teasing each other. What can be seen right away is how well she has taken six of A.B.T's best dancers, Cynthia Gregory, Fernando Bujones, Martine van Hamel, Clark Tippet, Magali Messac and Robert...

Author: /time Magazine | Title: Dance: Tharp Moves Out from Wingside | 2/13/1984 | See Source »

...weeks. "You would be well advised," wrote one critic, "in considering the latest musical offerings, to see See America First last." Stung by the reviews, Porter retreated to France and did not compose a full score for the American theater until he was 35. Coward affected a brittle, malicious wit and was a lifelong bachelor. Porter had a ready, indulgent humor and was married for 35 years to Linda Lee Thomas, a famous society beauty...

Author: /time Magazine | Title: Books: The Soul of Cole and No | 2/6/1984 | See Source »

...occasions of ceremony and sentiment, like weddings and anniversaries. Just the sort of song, that is, that he twitted Paul McCartney for writing, although not even his ex-writing partner ever sniveled so stereophonically as Lennon as he serenades his flower princess. Ono does display a neat flash of wit in her final song: "In the world's eye/ We were Laurel and Hardy/ In our minds/ We were Heathcliff and Cathy." But hagiography, even half comic, like this, should be resisted. Sentiment might make that hard. But Milk and Honey makes it a cinch. -By Jay Cocks

Author: /time Magazine | Title: Music: Last Songs | 1/30/1984 | See Source »

Slight of build, with an eminently squinchy face, McKellen is not an overwhelmingly noble presence. His Shakespearean range is probably closer to Ralph Richardson's than Olivier's. But he has wit, a mime's command of body language, and the antic courage of an impressionist. There is wonderful calculation in the way he flings himself about the stage and trots through history giving persuasive impersonations of predecessors like Richard Burbage and David Garrick, as well as such critics as Pepys and Shaw...

Author: /time Magazine | Title: Theater: Once More into the Labyrinth | 1/30/1984 | See Source »

...modest air, she puts one in mind of a grownup Nancy Drew, though Nancy was never required to pose as a prostitute in order to crack a case. Ardant literally wears the trench coat in this picture, and dangerous activities come with the wardrobe. But a subtly knowing wit betokens pleasure in the ironies of role reversal...

Author: /time Magazine | Title: Cinema: Lady in the Dark | 1/30/1984 | See Source »

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