Word: witnessed
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Dates: during 1950-1959
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...came not to bury Coward. Thanks to speedy an sometimes very thoughtful direction by Duane Murner, who is also producer, the show moves rapidly and without any awkward pauses at all. This is no small accomplishment because there are some stretches in the script devoid of "wit," and, because the character are so transparent, there is little to hold interest in these long stretches. Quickly coming to mind, for instance, is a drunk scene in the second act, very lengthy indeed, that served only to aggravate the already parched throats of those in the crowd...
Yeomen is a bit of a change for the Messrs. Gilbert and Sullivan. The tone of most of their work is one of wit and buffoonery laced with pathos; Yeomen features pathos laced with buffoonery and very little wit. Since Gilbert's wit is pointed, while his pathos is pretty but quite lacking in real bite, Yeomen is not the Messrs.' best work. But since Sullivan's music is, as always, pleasant to the point of bewitchment; since Gilbert's buffoonery is of a very high grade; and since the pathetic moments can be quite touching, why complain...
Where Are You Going? López Mateos climbed the slippery slopes of politics with the aid of a fine baritone speaking voice, a gift for oratory, a quick wit, and a knack for making close and lasting friendships. At college in Toluca, he was an ardent campus politician and belonged to the Socialist coalition, which at that time was the major opposition to the government's National Revolutionary Party, now the all-dominant Revolutionary Institutional Party (P.R.I.). In 1929 Colonel Carlos Riva Palacio, head of the government party, came to Toluca for a party convention...
...most sprightly of the publications was a magazine called Etc., which was started in 1938 and lasted for four years. It first appeared with a brilliant purple and green cover, and glossy pages. It described itself as "your grain of salt, your germ of laughter, your dash of wit." It included light fiction, cartoons, and short poems such as "If you have a chassis
Over the years. Constant has come to believe that brevity is the soul of musical wit. "In fifty or a hundred years,'' he says, "the symphonies of Beethoven and even Honegger will seem like endless repetitions." How does he feel about his own work? "I was born," says Constant, "under the sign of Aquarius. Far be it from me to suggest a comparison, but it was Mozart's sign...