Word: witnessed
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Dates: during 1960-1969
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...reading the book," Kunen advises in the last of a series of four introductions, "because I didn't spend much time writing it." Still, it would be good to know what Kunen thinks he's doing with the book, and that's not easy to say. Perhaps all the wit, self-deflation, and incidental reporting are just softening up Mr. and Mrs. America for the punch of Kunen's radical message." "A good D.J. is friendly, congenial and amusing, the sort of person you trust," he notes after the WABC interview, and perhaps a good young revolutionary author...
...comedy, presented with affection and delight. When he took these people among whites who even then self-consciously affected Spade guests, the satire said everything that could be said about white liberalism. And because Maclnnes abandoned his tape recorder, relying on his ear for syncopation and dislocated verbal wit, the language, no matter how angry, is lilting and indelible...
...students have not used guns, violence, or threats. Their proposal was not a summary demand, but at least the third version of a plan on which the black student community had thoughtfully worked with interested senior members of the faculty. Faculty members of the Committee previously established to deal wit Afro-American Studies spoke for the motion. It was pointed out that the crisis of confidence had arisen in good part because, by a tragic mistake, the committee had forgotten to keep the bargain to consult the black students before the announcement of the Afro-American Program courses for next...
...illusion after illusion is stripped away during the play's second act, Crowley manages to destroy virtually all popular conceptions of the homosexual personality and existence. If we cannot identify with the play's world of boundless sorrow and lacerating wit, we cannot turn our backs either. As one character say to Alan, "It's like watching an accident on the highway. You can't look at it and you can't look away...
Where the play demands direction which will point and illustrate the exceptional verbal wit of the text, Mr. McBain has chosen to give his players few props and less stage business: seldom have I seen so many actors standing meditatively with arms folded. When they are given business, it is as likely as not to distract substantially from the words of other characters then speaking. On occasion, the stage groupings extended across so broad a space that I was forced to choose between watching the speaker and following another character's elaborate pantomime of reaction. Where the pay requires both...