Word: witnesses
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Dates: during 1970-1979
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Perhaps a windfall-profits tax should be levied on prolific financial journalists in these inflationary times, because the inkwell is as mighty as the oil well. Anyone who can write with wit or apocalyptic certitude about how to cope with shrinking purchasing power and vanishing nest eggs does not have to worry about where his-or her-next Mercedes 300 is coming from. In women's magazines, articles on sex have almost taken a back seat to advice on money management. Bookstores are crammed with many new volumes about the joy of cash and the juggling of credit...
...Show (an eccentric detective story with Art Carney and Lily Tomlin), Benton's career stretches back over a decade. With his longtime writing partner, David Newman, he co-authored the most influential film script of the '60s, Bonnie and Clyde, which, like Kramer, leavened conflict with smart wit. He and Newman also collaborated on such diverse '70s movies as What's Up Doc?and Superman. Benton's crisp pictorial style, which has become more pronounced with each film, can be traced to his years as art director for the graphically innovative Esquire magazine...
...words "Brooklyn Rapid Transit." He reversed the initials; thus TRB. The BRT has vanished; Strout, far from it. While his collected essays do not form a cohesive whole, they shine individually with the glimmer of a cynical idealist. He returns every week, brandishing only his intelligence and wit. But with those tools TRB has earned his royal...
Carrington is impatient with pomposity or snobbery. His sharp wit is tempered by a self-deprecating humor that allows him to make light of his 183-year-old title. "My name is Smith," he jokes; his family tree traces back to a banker named Tom Smith. The family seat is the Manor House, set in 800 acres near Aylesbury, Buckinghamshire; there Carrington indulges his passion for farming and landscape gardening...
...mind. Edda Moser as Donna Anna, Teresa Berganza as Zerlina, Kenneth Riegel as Don Ottavio, all throw themselves into their roles with intensity, but only the exotic Kiri Te Kanawa, as Donna Elvira, manages to shake off some of Losey's heavy seriousness. Missing are the wit and verve, the "elate darting rhythms" with which Shaw said Mozart conveyed the spirit of the work. Here the music is not as much help as it might be, since Lorin Maazel conducts it with such grim, unrelenting drive. (The complete soundtrack has been released in a three-LP set by Columbia...