Word: witnesses
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Dates: during 1980-1989
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...novelist has proved beyond a shadow of a doubt that he is more than a prolific genre writer about Boston's hoods and pols. His 13 novels have moved steadily beyond a cynical cop's-eye view toward a harsh realism that is informed by experience, reflection and cauterizing wit...
Right from the start Grunwald attracted notice. His first boss at TIME remembered him as "driven, willing to work terribly hard." Others soon noted what graced that drive: a capacious intellect, an incisive wit and a consistent ability to turn out elegant, exact prose. His ascent was rapid, and he became managing editor in 1968. Grunwald transformed TIME. He instilled new depth and vitality in the formula developed by Henry Luce and Briton Hadden...
...suit, in a white room, staring ahead, perhaps at another painting. The silhouette of a devoted woman shimmers to one side. At his feet are neat piles of scripts, art books, 3-by-5 cards from a pristine youth. His face shows no emotion or thought; all the wild wit and inquiring intellect are hidden inside. It is the face that says, "Go away." But some mad fan has tampered with the portrait. On the man's head he has drawn nose glasses, bunny ears and a hat with an arrow through it. The fan's graffito is almost poignant...
Bragg even has one song called "Help Save The Youth of America," but the sheer wit of the lyrics lifts the patronizing air somewhat...
...satire The Erpingham Camp. No doubt about it, playwright Joe Orton was a great, corrosive farcist. With such devilish lines, he's been pricking up everyone's ears for the past two decades, and it's been audiences who've felt the inconvenience of his caustic, mad wit. He was so talented, even the cheeky, musical imps of the perverse, The Beatles, had Orton working on an original screenplay when he was bludgeoned to death by his homosexual lover Kenneth Halliwell...