Word: witnesses
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Dates: during 1990-1999
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...Pouliguen harbor, 79 days and 6 hours after embarking from Brittany, smashing the existing circumnavigation record (109 days). It wasn't easy. En route, Commodore struck a pod of whales off Brazil, cracking a hull, and nearly lost two crewmen in a mid-Atlantic gale. Ultimately, Peyron prevailed through wit and guile, not technology. Fogg would have approved...
...speech is vintage Rudnick -- a party wine with a bouquet of sentiment and the kick of rude truth. To the tart social wit of gay writers from Oscar Wilde to Joe Orton he adds irrepressible high spirits -- a tonic when so much of literature has the terminal glums. This Renaissance jester is a yea-sayer, a missionary for joy. "Usually when I'm asked why I write," says Rudnick, 35, "I reply, 'To avoid a day job.' But the truth is that there are people in real life I want to honor. It's easy to write about despair...
...here is Rudnick, spinning his bedside stories to people in desperate need of the bright light of his wit. In the age of AIDS, there is something heroic about the task he has set himself: to put the gay back...
...Picasso's joining two tin half-spheres -- kitchen colanders -- to form the cranium of Head of a Woman, 1929-30, or Gonzalez's recycling what appears to be a pair of scythe blades as the wings of a creature midway between angel and praying mantis, is to witness plays of the dreaming, free-associating, punning mind that seem fundamental to modernism. Iron, in the form of objects that could be almost randomly brought together, favored wit and invention. Gonzalez, though he could make small sculptures with the finesse of jewelry, loved the contrast between the harsh and the delicate -- rough...
...tradition of Gilbert and Sullivan to update lyrics and dialogue to refer to contemporary events; that the sole efforts of this show are on the level of forcing the Grand Inquisitor to say things like "wicked awesome" and of a lame reference to Oprah will indicate the level of wit the show aspires to. There a few redeeming moments: the entrance of the Plaza-Toros is well staged and choreographer Susanna Witt's staging of the blind man's bluff dance is clever. Overall, however, the actors succeed by overcoming the direction, not because...