Word: witnesses
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Dates: during 1990-1999
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...with a faster pulse or maybe "Friends" on PBS, "Kicking and Screaming" is a postmodern comedy of manners in which hyperarticulate twentysomethings talk about the imminent threat of becoming thirtysomethings. Writer-director Noah Baumbach's characters wear cool like a dinner jacket, says TIME's Richard Corliss; their offhand wit is so studied that their bull sessions seem like a final they crammed for. "But Baumbach is canny enough to salt the stew with poignance, so that by the end these attitude machines have become human beings, more than the sum of their chiseled jokes. Baumbach is a find...
...with a faster pulse or maybe "Friends" on PBS, "Kicking and Screaming" is a postmodern comedy of manners in which hyperarticulate twentysomethings talk about the imminent threat of becoming thirtysomethings. Writer-director Noah Baumbach's characters wear cool like a dinner jacket, says TIME's Richard Corliss; their offhand wit is so studied that their bull sessions seem like a final they crammed for. "But Baumbach is canny enough to salt the stew with poignance, so that by the end these attitude machines have become human beings, more than the sum of their chiseled jokes. Baumbach is a find...
From the start John had a spooky, modernist poise. His taut mouth, his appraising eyes made him the group's soul and wit as surely as McCartney became its prime musical mover. Cynical, cool, Lennon was the eye of sanity in the Beatlemania hurricane. Asked, during the first U.S. tour, when the Beatles found time to rehearse their songs, he replied, "We wrote 'em; we recorded 'em; we play 'em every day. What do you rehearse? Smilin'--that's all we rehearse." His edginess suggested a roiling interior life; you could write a novel about what you imagined...
...teaches creative writing in a city program for teenagers "of what is called low achievement and high intelligence." She is also writing a book on dialects and regional slang, particularly as they occur in the five boroughs of New York City. She notes, "The words themselves--in their wit, exuberance, mistakenness and violence--are thrilling...
...ballad entitled "Never End," Redman seemed to mock any legitimate musical statements he may have made earlier in the piece by turning the tenor sax into a penny whistle. Irony in jazz is a good thing, but Redman's silliness is not the same as the sophisticated wit of a Duke Ellington, whose self-mockery in turn said something worthy of the listener's attention...