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...capacity, he is teaching Afro-American Studies 183, “The African-American Experience in Film: 1930-1970” and Visual and Environmental Studies 173x, “American Film Criticism.” What makes this guy so special? Well, besides his quick and ready wit and encyclopedic understanding of the media world, Mitchell is currently one of the three head movie critics for The New York Times and is the entertainment critic of NPR’s “Morning Edition with Scott Simon.” Mitchell’s resume also includes...
...missed the Seuss books when I was a lad; my literary companions Babar, Bugs Bunny and the Little Prince (and a lot of junk that I have elevated to the pop-cultural Pantheon in this column). I'm glad that Cohen has honored Geisel as a full-service wit: the humor-magazine work, the political cartoons, his cunning ad campaigns and Ted's creation of one of the most enduring, least endearing antiheroes in Hollywood cartoon history. What follows comes from studying the Cohen book, rerunning my favorites from Geisel's mid-period film work, and watching Peter Jones' excellent...
...rarely sophomoric. As editor-in-chief he acknowledged with a third-person flourish that "He writes only for the extreme left wing of college student, for the man of social perversity." He composed a droll piece that literally translated French to English. (Everyone French student who thinks himself a wit tries that, but Geisel's was good.) He offered raffish etiquette tips: "a man should not sit down before a lady. It is, however, advisable to violate this rule if the lady expects to sit on his lap." He did lots of cartoons. One, with two chimneysweeps on a roof...
...damn in the dialogue, plenty of butt comedy, and mermaids out of Vargas, with large breasts and pert nipples. The films reveal what kind of cartoons the Warner Bros. guys would have made if the Hollywood censor had been a bit more lenient. They also display the Geisel wit in more luxuriant fester. Ted had written a grown-up children's book called "The Seven Lady Godivas" in 1940. Much later, he created, for his own pleasure, Beardsley-like art of a slightly bawdy nature (a woman with a long-necked cat at her pubis - a pussy). SNAFU gave...
Elvis Mitchell likes to disarm. Even in person, the same arresting wit he unleashes on readers and fearful filmmakers in his New York Times reviews arrives untrammeled...