Word: witnesses
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...Bright Hockey Center on a magical March eve two seasons ago. A spry puck-stopping machine, Danis turned down serious free agent cheese over the summer—including an offer from his favorite team, the Montreal Canadiens—to return to Brown for his senior year. To wit: Bank on him having a very focused, often spectacular season...
Stately, imperious Professor Coleman Silk (Anthony Hopkins) mesmerizes and scares his students with caustic oratorical wit. Wondering aloud why two students have been absent from his class, he asks sarcastically, "Are they spooks?" He means ghosts. But the students are African American, the faculty is spineless and Coleman is soon reprimanded for uttering, however guilelessly, a racial slur. This comes as a shock to Silk, who identifies himself as the son of a Jewish saloonkeeper. Funny, you may think, Anthony Hopkins doesn't look Jewish...
...doing a little Rush research, I decided to buy his book, The Way Things Ought to Be. In a cursory perusal—and I stress “cursory” because, though there may be some merit in reading such literary wit as “The poor in this country are the biggest piglets at the mother pig and her nipples,” I was unable to find it—I happened upon “Limbaugh’s Lexicon,” where he unsuccessfully attempts a humorous spin of his hateful dogma...
...most original and compelling pop albums of the year. Country singer Cash ... is a big favorite in the penitentiary circuit. 'We bring the prisoners a ray of sunshine in their dungeon,' he says, 'and they're not ashamed to respond' ... Cash ... sings with granite conviction and mordant wit about sadness, pain, loneliness and hard luck ... The Folsom album was made when Cash, after six years of trying, finally convinced Columbia Records that one of his prison visits would make a successful on-location recording ... It has sold far beyond the usual boundaries of the country market ... In fact, the album...
...production. Handling Lenny Bruce’s words with a sure feel for their comedy and poignancy, Franken makes it needless to debate the accuracy of his portrayal, Franken is not imitating Bruce, but he infuses the role with a vitality which recreates Lenny’s charm, wit and concern. Making the transition to convincing desperation when he is finally convicted of obscenity charges proves difficult for the ebullient actor, but he recovers his depth of characterization as Bruce’s degradation increases...