Word: witnesses
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...long way down from the '30s and '40s, when Hollywood had as many top female stars as male--when sexual and intellectual equality was the onscreen norm. Dozens of down-to-earth movie goddesses stood up to their men and used wit as well as wiles on the way to the kiss at the final fade-out. Oddly, though, as women improved their status in American society, they found their roles diminished in films...
...documentary "The Line King: Al Hirschfeld," fellow cartoonist Jules Feiffer rightly opined, "The only glamour left in the theater is what Al brings to it. And he is to what he does what Astaire was to what he did. Al has the same effortlessness, the same grace, the same wit, and that lighter-than-air quality." True enough. Hirschfeld put motion and emotion in all his still-lifes, infused buoyancy and elan in a weighty Sunday newspaper - The New York Times, whose Arts and Leisure section he had adorned and, heaven knows, enlivened for three quarters of a century...
...Name Hunt soon became an in-joke millions shared. The New Yorker ran a cartoon with a husband asking his wife, "When did you start putting ?Nina's in your hair?" The singer Will Ryan composed his own anthem: "Nina, Nina, me, myself and I, oh how you stick wit' us! / Nina, Nina, can't you tell us why you're so ubiquitous? / It is likely you have friends in lofty places, / For I find your name adorning famous faces." The more Ninas hidden, the longer the lovely task took. A few nights ago, my wife was paging through...
...many lovers of drawing, Hirschfeld was a divine manipulator - not the God, but a god. Museums, which had once deemed the cartoon inadmissable to the Pantheon of seriosity, mounted retrospectives of his work. "The Line King" brought his amicable wit to a new audience. Disney animator Eric Goldberg, who had based his Genie in "Aladdin" on Hirschfeld's protean line design, paid elaborate tribute to the Master in the recent update of "Fantasia." The Goldberg variation on "Rhapsody in Blue" was a smartly syncopated homage that crawled with furtive graffiti: a few Ninas, a "Goldberg" apartment house and, everywhere...
...journalism degree from the University of California, Berkeley. They're a devout but cosmopolitan bunch, and they've taken their director's special standing in stride. After two months of shooting, they treat him with casual affection and a deference that seems to owe as much to his incisive wit and encyclopedic knowledge of film as to his exalted position or Buddhist training...