Word: witnesses
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Other notable performances are offered by Price, Agresta and Alexander L. Pasternack ’05. Price manages the nuances of the slightly mysterious Vershinin with skill. Agresta’s acerbic wit adds a wonderful tragicomic flair to the play. Pasternack also fares well with the difficult character of Chebutykin, expertly conveying his slow deterioration from early optimism to a final scene in which he declares, “It’s all the same...
Lascivious, preposterous, acutely human: that's Shakespeare's fat knight, set to music by Verdi. Now Bryn Terfel, Wales' contribution to the gaiety of nations, has put the best of all possible comic operas on record, igniting every line with his sly wit and redwood-sized bass-baritone voice. Don't throw away your old Toscanini album--Claudio Abbado's conducting is sometimes a bit fussy--but Terfel is as fine a Falstaff as has ever lived, and Thomas Hampson is splendid as Ford, the hypersuspicious husband whom Sir John longs to cuckold. If current events are weighing you down...
Thus, at a time when I should be consumed with acquiring the wit of Maureen Dowd, the political-savvy of Mary Matlin and the resiliency of Hillary, I instead find myself preoccupied with answering the pop-culture queries of Carrie Bradshaw. When my thoughts drift to interviews inevitably I am left with but one damning interrogatory gnawing at my brain: Despite strides in gender equality is it really true that what’s below a woman’s waist is still more important that what’s coming out of her mouth...
...both of the American nation and of the democratic system and ideals, Laxer does nothing more than rehash its overworked idiosyncrasies. Foreign literary types, humorists and historians have worked their way across America before and have produced clever books, such as Andrei Codrescu’s Road Scholar. The wit, however, emanated from those authors’ ability to penetrate into the truly odd, to show how it was also truly American, and finally explain how the bizarre might make sense in a proper American context...
...Story nostalgics will cheer at elements of the Toy Story 2 airport scenes—absolutely no one can make animated chase sequences as comically exciting and inventive as Lasseter and Co., who also manage to pay tribute to Disney movies galore. This distinctive combination of whimsy and wit defines a distinctive way of filmmaking—what I like to think of as the “Pixar genre...