Word: witnesses
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Lucas' text, though rife with wit and biting social observation, is hampered by its tendency to break into long sections of on-line chat. The problems of this inherently artificial form of communication are made even worse by clichd lines about safe sex, homophobia and unconditional love; with all of this linguistic burden to carry, it's no surprise that the script occasionally loses track of its plot, awkwardly stumbling over a few After School Special messages. Thankfully, though, director Eric Engel (Director of Memorial Hall/Sanders Theatre) still manages to blend Lucas' words into an (almost) seamless narrative journey...
Though not popularly known for its wit or good nature, the IRS is clearly trying to lighten up its image. Its website features bold graphics and even some irreverent humor. Apparently the campaign is so effective that this tax season it has persuaded long-time rival WILLIE NELSON, who was forced to pay $9 million to the agency in 1993, to surrender his grudges. "Everything's wonderful with the IRS," said the country-music legend as his tour bus blazed across the South. "I would say it's a 100% turnaround as far as I'm concerned. After they came...
...book, and they want their film to be understood as a period comedy of manners. Patrick and his nonfriends care only about their abs and their arid social lives. ("I'm not really hungry," one of them says, "but I'd like to have reservations someplace.") Some of the wit may sound insidey--Ed Gein, the real-life inspiration for Norman Bates, is ID'd as the "maitre d' at Canal Bar"--but it makes a point. To Patrick, serial killers and cafe staffers are interchangeable celebrities...
...life in a joyous flurry of understated malice by the cast at the Works Theater in Somerville. The final production of Pet Brick Productions' inaugural season, director Patrick Wang and his cast and crew create a treasure for anyone who adores Wilde, theater and beautifully delivered words of wit, spite, and love...
...Music. While at Berklee in 1985, he met the group of musicians who became the foundation of the Either/Orchestra and the band quickly became known for eccentric material and quirky performances. By the 1980s, most jazz had become neo-conservative and stuffy, but the Either/Orchestra had humor and wit. While Wynton Marsalis was getting started at Lincoln Center and oiling up hits from the 1920s, Gershon and company were playing at a self-proclaimed "Bill Walton" night at a local bar (which Celtics star Bill Walton once actually attended) and soaring through versions of King Crimson tunes and souped...