Search Details

Word: witnesses (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

Brendan H. Sheehan '96 recalled Piedrahita's wit and intellect, saying he believed Piedrahita had a special affinity for economics, friendship and "sweeping women off their feet...

Author: By Sarah E. Scrogin, | Title: Hundreds Attend Memorial Service For Piedrahita | 1/17/1996 | See Source »

...dignity to the role of Shakespeare's noblest chump. Irene Jacob is a lovely, sallow Desdemona, and Kenneth Branagh--looking bloated and rheumy, slithering snakelike on rooftops, whispering his venomous gossip as if it's his last confession--makes a fine Iago, a demi-devil working his cool wit to destroy those he might have loved...

Author: /time Magazine | Title: CINEMA: PULP ELIZABETHAN FICTION | 1/15/1996 | See Source »

...TIME--makes him uniquely suited to oversee a wide variety of magazines as well as to advance Time Inc.'s growing interest in television. A man of many interests, Gaines is an accomplished classical pianist, the father of three (soon to be four) children, the author of one book (Wit's End: Days and Nights of the Algonquin Round Table) and the editor of another (The Lives of the Piano...

Author: /time Magazine | Title: To Our Readers: Jan. 8, 1996 | 1/8/1996 | See Source »

...royal couple celebrated the third anniversary of their separation last week, it must have been painfully clear to even the most common of commoners that Diana wasn't selected for the princess job on the basis of intelligence or loyalty or wit. The qualifications were simple: she had to be a presentable Protestant from the upper class and a virgin. The last criterion has to do less with morality than with the purity of the product. She was, to put it crudely, enlisted as a breeder, charged with the job of transmitting the Windsor genes from Charles to his eventual...

Author: /time Magazine | Title: DIANA, SURROGATE PRINCESS | 12/18/1995 | See Source »

...easy as it looks. The problem for the writer is to balance a wit that doesn't dry the piece out against sentiments that don't turn it soggy. For the actors it lies in playing highly stylized dialogue while remaining in touch with recognizable human nature. For the director, energy is the issue: too much of it and everyone goes bucketing off in the direction of farce; too little of it and the audience starts admiring the scenery. Or, to put the whole tricky business simply, everyone has to stay grounded in reality while at the same time subtly...

Author: /time Magazine | Title: KISSING COUSINS | 12/18/1995 | See Source »

Previous | 240 | 241 | 242 | 243 | 244 | 245 | 246 | 247 | 248 | 249 | 250 | 251 | 252 | 253 | 254 | 255 | 256 | 257 | 258 | 259 | 260 | Next