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Word: witnessing (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...fried brain," says drinking buddy and political commentator Bob Beckel. Adds friend and humorist Dave Barry: "He's outrageous, and I like that. In the age of political correctness, I think it's good to have somebody who does that." O'Rourke's writing is driven by a practiced wit, a brilliant use of analogy, and a hard edge capable of offending almost anyone. With publication this spring of his latest book, Parliament of Whores (a Morgan Entrekin Book: Atlantic Monthly Press), a scathing indictment of the U.S. government, O'Rourke may be perched on the verge of a breakthrough...

Author: /time Magazine | Title: Of Cows, Scuds and Scotch: P. J. O'ROURKE | 4/15/1991 | See Source »

...KITCHENS OF DISTINCTION: STRANGE FREE WORLD A&M). A band of genially berserk Brits, turning out tunes with wit and -- hard to believe in this dance-mad age -- melody. With echoes of mid-period Beatles and backlash art-rock, this is pop with heart and promise...

Author: /time Magazine | Title: Critics' Voices: Mar. 11, 1991 | 3/11/1991 | See Source »

...Mozart spelled backwards--shit-wit! If you ever married me, you'd be Constanze Trazom...

Author: NO WRITER ATTRIBUTED | Title: Reporter's Notebook | 3/8/1991 | See Source »

...work is suffused with the man's traits: his extreme machismo, his predatory eye (the Andalusian mirada fuerte, or gaze of power, which, as Richardson rightly argues, was one of Picasso's fetishes), his belief in the magic power of images, his emotional cannibalism, his charisma and sardonic wit. Richardson shows how these developed in the young Picasso while debunking such legends as the notion that he drew like a child prodigy, a visual Mozart...

Author: /time Magazine | Title: Portrait of The Young Artist: A LIFE OF PICASSO, VOL. I by John Richardson | 2/18/1991 | See Source »

...unlikely, though, that they signal a return to Hollywood's golden age, when Garbo, Davis, Hepburn, Crawford, Dietrich could sell a film and give it class. That was a more genteel time, one that prized wit, heart and, on screen at least, a sexual equality of emotion and intelligence. Movies were about grownups; the toy-boy heroes stayed in comic books. Maybe audiences were more mature too. These days, Ghost and Pretty Woman are the big-hit exception, not the norm; moviegoers tend to measure heroism in terms of pectorals. Somewhere ! between Rambo and bimbo, between roles for children...

Author: /time Magazine | Title: CINEMA | 2/18/1991 | See Source »

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