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Word: witnessing (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...OKAY? (Chrysalis). In the two years since his group's groundbreaking album What Up, Dog?, Don Was has become a hotshot producer. But he still knows how to find a groove. The latest offering borrows its funk from James Brown, its harmonies from the Temptations, a heaping of wit from Zappa, and makes it all cook...

Author: /time Magazine | Title: Critics' Voices: Sep. 24, 1990 | 9/24/1990 | See Source »

POSTCARDS FROM THE EDGE. Meryl Streep and Shirley MacLaine embody the glamorous wit of Carrie Fisher's novel about an actress in rehab and her movie-star mom. Under the sorcerer's wand of director Mike Nichols, this terrific comedy is a Terms of Endearment in which nobody dies but everyone hurts...

Author: /time Magazine | Title: Critics' Voices: Sep. 24, 1990 | 9/24/1990 | See Source »

...wit of Hair of the Dogma keeps the play from sinking into tedium. The ancillary characters certainly enliven it: the professor rants about the nature of atomic particles and the propensity for human beings to turn into bicycles, and the Irish lad spins yarns of the miraculous healing powers of his brother...

Author: By E.k. Anagnostopoulos, | Title: Blarney or Brilliance? | 9/21/1990 | See Source »

...premise of Metropolitan might immediately strike some as odious, and the near-masturbatory depiction of the lifestyle of the leisure set might also strike some as pretentious. The film at times seems to be self-satirizing, but the wit in Metropolitan is rarely meanspirited enough to be satirical. But Stillman, who directed, produced and wrote the work, saves the film from a sure, sudden death by carefully drawing characters who communicate through precariously graceful dialogue...

Author: By Kelly A.E. Mason, | Title: Exploring the Upper Class: Stillman's Work Promising | 9/21/1990 | See Source »

...carry the sting, heft and meaning of the finest old romantic comedy. Suzanne is ever crouching, like a stubborn, frightened child, behind the wall of her ironizing humor. As a coke-carrying member of the sensation generation, for whom "instant gratification takes too long," she is impatient with her wit; too easily she can turn a kind thought against itself. Just as easily, she has turned her life into a sad joke, blowing lines on the set and nearly dying from an overdose. To get a new movie job, Suzanne must agree to live with her mother...

Author: /time Magazine | Title: Cinema: Spin And Sizzle | 9/17/1990 | See Source »

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