Word: witnessing
(lookup in dictionary)
(lookup stats)
Dates: during 2000-2009
Sort By: most recent first
(reverse)
Fernandez-Barkan ably handles this topsy-turvy romance, drawing out the wit of Gilbert’s libretto as Wong gives Sullivan’s music its due. “The Sorcerer” may be a light opera from Victorian England, but, thanks to this production’s charms, the work still amuses today...
...lyricist has diminished. His Smiths lyrics had been naturally witty with quirky details scattered like confetti, but still managed to brush on the most sincere and melancholic topics like love and disappointment. These skills have persisted in his solo albums, although he has lost much of his wit and he occasionally comes off like an inarticulate confessional poet. In “The Never-Played Symphonies,” Morrissey sings, “You were one / You meant to be one / And you jumped into my face / And kissed me on the cheek / And then were gone...
Charming the audience with his wit and humility, Royo referred to his own background. “This is the first time I’ve been affected like this. I can’t believe I’m walking around Harvard, sitting next to people with Professor in front of their name.” Williams was similarly moved, saying, “I feel so blessed. I can’t tell you how humbling this is.” But these sentiments only served to highlight the disparity between the experience of Harvard students and those...
Nonetheless, Ishiguro remains a master at sketching out environments and characters through minimal, precise language. The struggling songwriter manages to conjure a grimy, lethargic music scene with characteristically British wit: “But the majority of auditions happened at a much more shambolic level. In fact, when you saw the way most bands went about things, it was no mystery why the whole scene in London was dying on its feet.” In the same way, the American jazz musician who befriends Gardner, has a completely different syntax that instantly identifies him as a member...
...around in her tattered aprons and dorky Birkenstocks. Motherhood for Eliza is ultimately about accepting limitations on her time and energy, and learning slowly that children are what motivate her to live a passionate life. Thurman fully embraces the many facets of her character, taking on her struggles with wit, strength, and enthusiasm. Eliza may not wield the hefty sword of the Bride, but in Dieckmann’s vision she is just as brave...