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...writer and professor famous for his wit as well as his economic theories, Galbraith, 91, said he was happy to receive the award from President Clinton, saying that he was "making a very great effort to look modest...

Author: By Shira H. Fischer, SPECIAL TO THE CRIMSON | Title: Clinton Awards Galbraith Top Civilian Medal | 8/11/2000 | See Source »

...introducing Galbraith, Clinton told the audience that upon meeting him, one notices his wit and intellect only second and third--the first thing that stands out is Galbraith's height...

Author: By Shira H. Fischer, SPECIAL TO THE CRIMSON | Title: Clinton Awards Galbraith Top Civilian Medal | 8/11/2000 | See Source »

...high points of that career perhaps fall into two categories, both after the war (in which Guinness briefly served) and neatly divided by the Atlantic. In England he did classics of British bumble-wit like "Kind Hearts and Coronets," "The Ladykillers," "The Man in the White Suit" and "The Lavender Hill Mob," in which Guinness's milquetoast banker waits his whole life for the perfect gold bullion theft. These were tiny movies, gems of the emotional slapstick at which he was a master...

Author: /time Magazine | Title: Sir Alec Guinness, 1914-2000 | 8/7/2000 | See Source »

...Hearing of Guinness's unrelenting modesty and bland wit, one is tempted to look for the actor's true self in some of the Ealing Studios comedies, perhaps "The Lavender Hill Mob" and its wan-on-the-outside hero, or the fabric wizard and social innocent of "The Man in the White Suit." But thinking that's Guinness up there onscreen is a mistake. He once said, "I try to get inside a character and project him - one of my own private rules of thumb is that I have not got a character until I have mastered exactly...

Author: /time Magazine | Title: Sir Alec Guinness, 1914-2000 | 8/7/2000 | See Source »

...eerie manifestations and begins to take on shape and form, all the spooky fun tends to drain out of these pictures. This one becomes a variation on the Fatal Attraction theme, but with more muscular action and, finally, a lot less plausibility. That's too bad, because the early wit of Clark Gregg's writing and some persuasive direction and playing are drowned out by the doomed, desperate search for a persuasive ending...

Author: /time Magazine | Title: Cinema: Dark House, Red Herrings | 7/24/2000 | See Source »

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