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Word: wits (lookup in dictionary) (lookup stats)
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Usage:

...fondness for TNT, the viewer simply suspends belief and coolly appraises the things that go boom. Say, wasn't that a nicely staged Wall Street explosion? My, that runaway subway train crashed onto the platform with a certain vigorous verismo. Oh, look-more actors playing dead people! So little wit is expended on the dialogue and so much on the imagination of disaster that you may as well sit back and enjoy the jolting ride...

Author: /time Magazine | Title: CINEMA: RED MEAT | 5/29/1995 | See Source »

...actual purpose of sitcoms, therefore, is not entertainment. True, little entertainment outside of absurd humor comes without the cost of a little mockery or deprecation. But a sitcom doesn't supply much wit or coincidence, just a constant stream of feeble pointing and ridiculing built on some imaginary person's futility...

Author: By Daniel Altman, | Title: Touring The Idiot Box | 5/26/1995 | See Source »

Kennedy's wit is astounding; she starts the paper off at a brisk clip, with a brief, but precise, justification of her topic: "Every dog must have its day: this thesis is about Rousseau's dog." "Kennedy goes on to explain her treatment of the poor creature, "By 'dog' I will mean, first, the dog as metaphor, the dog as such in Rousseau's thought. Second, there are Rousseau's actual dogs, of whom he was very fond...

Author: By Noah I. Dauber, | Title: Every Dog Must Have Its Day | 5/10/1995 | See Source »

...constructed and entertaining plot, but the movie's primary pleasures come from the actors and from the incidentals with which director Mira Nair has filled the story. The production design, the cinematography, the costumes and the music are all top-notch--the picture fairly bursts at the seams with wit, radiance and sensuality...

Author: By Joel Villasenor-ruiz, | Title: Paradise Chez Perez | 5/10/1995 | See Source »

...Barth, as Iago and Romeo, and Stephanie Smith as Mercutio and Desdemona. It is tempting to imagine them as Viola and Malvolio or Beatrice and Benedick in some future HRDC production. Barth is wonderfully vicious as Iago, and his Romeo, while predictably over-the-top, retains more grace and wit than the buffoonish comedy demands Smith's comic zeal and exuberance make her the focus of every scene she is in; her Mercutio is delightful, and her Desdemona is as perfect a performance of that sadly banal role as could be imagined...

Author: By Adam Kirsch, | Title: Goodnight Squanders Talent Dreaming of a Better Script | 5/4/1995 | See Source »

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