Search Details

Word: wittedly (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
Sort By: most recent first (reverse)


Usage:

Except for a first-rate circus act and one or two amusing scenes, all the showmanship of Around the World is in the staging. There is something pretty empty and amateurish about the show. It falls down as burlesque, displaying far too little wit and far too much Welles...

Author: /time Magazine | Title: The Theater: New Musical in Manhattan, Jun. 10, 1946 | 6/10/1946 | See Source »

...News's headlines crackled; its pictures were good, and masterfully played; its news stories were models of clarity, conciseness and coarse wit. Joe Patterson's journalism owed more to P. T. Barnum than to Adolph Ochs. No story in the News was "important but dull"; if the news was important, there was no need for it to be dull. In world affairs, the News could tell in two columns most of what the New York Times took eight to tell. But the News did best on what the Times aloofly did not consider Fit to Print...

Author: /time Magazine | Title: The Press: Passing of a Giant | 6/3/1946 | See Source »

...having a colorful spree in Lowell courtyard, and the class of 1948 was entering. He also had a hot time Christmas of that year when someone forgot to open the chimney for the burning of the Yule log at the Christmas dinner ceremonies. Through all of this, the Perkins wit made life more bearable, for the complicated problems of man in a complex House were always met by a notice in the Perkins style explaining perhaps why a striped silk shirt did not pass for a formal jacket at High Table...

Author: NO WRITER ATTRIBUTED | Title: Faculty Profile | 5/28/1946 | See Source »

Bucking the hard realism of France at the turn of the century, Rostand came on the theatrical scene as an entertainer. His flamboyant wit, despite its aborted, cloying idealism, makes for brilliant entertainment in, the deft hands of Jose Ferrer in this week's opening of Cyrano de Bergerac...

Author: NO WRITER ATTRIBUTED | Title: The Playgoer | 5/25/1946 | See Source »

Against the background of the vivid, swirling gaiety of Moliere's and d'Artagnan's France, Cyrano is the manipulated story of a rapier-wielding, poetry-spouting wit who lets his nose get in the way of his love affairs. An iconoclast, embattled against a pedantic society, he sweeps all before him except the final prize, the ivory-fair Roxane. His winning love speeches he puts into the mouth of a handsome dolt, for her sake. The motif is noble, yet it shrinks to the simple moral that it takes more than a sharp tongue, a sharper sword...

Author: NO WRITER ATTRIBUTED | Title: The Playgoer | 5/25/1946 | See Source »

Previous | 35 | 36 | 37 | 38 | 39 | 40 | 41 | 42 | 43 | 44 | 45 | 46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 55 | Next