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Word: wittedly (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

Vidal, with Wit and Class...

Author: /time Magazine | Title: Forum, Mar. 22, 1976 | 3/22/1976 | See Source »

...portray Alan Casper, Native Intelligence is fine; it is as a real novel that it is hampered by its own wit and restless eclecticism. The materials in the novel run a bizarre gamut from an incredibly difficult crossword puzzle (Sokolov offers to send readers the solution, for a dollar), to a lengthy glossary of the Xixi language, to purported New York Times clippings, to a threatening letter Alan writes President Kennedy. The feeling emerges from it all that Sokolov is playing myriad obscure jokes throughout, that some second satiric meaning lurks behind everything. Is the Xixi language full of esoteric...

Author: By Nick Lemann, | Title: Clever to a Fault | 3/19/1976 | See Source »

Much laughter, many cheers and at least one low wolf whistle for Diane Keaton, who looks like the brightest light comedienne in movies. She brings nicely scrambled wit and bushwacked sex appeal to even the lowliest undertakings...

Author: /time Magazine | Title: Cinema: Murder by Contract | 3/15/1976 | See Source »

...tenor in the way that Tom Seaver is a money pitcher, revels in his recklessly high flourishes. Sutherland fits into this bravura company, partly because she never tries to outshine her colleagues. A languid, settled presence onstage, she has been called in Italy, with affection and an edge of wit, La Serenissima (the most serene). At 49 she still sings with supple power, and her coloratura flights have the brilliance and definition of a fire works display when it first spreads out against the sky. She and her colleagues seemed to enjoy their tasks, which included standing still during...

Author: /time Magazine | Title: Music: I Serenissimi | 3/8/1976 | See Source »

...Larry, Lenny Baker personifies the flaws of the film. Leading a seductive tango or impressing a film producer with his wit, Larry is as adept as any young actor could hope to be. And he is even better at impersonation. Waiting on an open-air subway platform in the middle of the night, he comically plays Brando, Edward G. Robinson, his mother, and himself accepting an Oscar to rounds of imaginary applause. But Baker can't play without posing--his mouth freezes into the armored look of detachment...

Author: By Diane Sherlock, | Title: A New York City Icon | 3/3/1976 | See Source »

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