Word: wittgenstein
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...sported tattoos on his arms and chest. To most Danes he was a discreet, suitable constitutional monarch and an ideal family man and father. His popularity was enhanced by Swedish-born Queen Ingrid and Daughters Margrethe, 31, who succeeds him, Benedikte, 27, married to German Prince Richard zu Sayn-Wittgenstein-Berleburg, and Anne-Marie, 25, the exiled Queen of Greece...
...RIDE ACROSS LAKE CONSTANCE by PETER HANDKE It is difficult to say what this play means, but relatively easy to tell you how to write it. Rip out pages from lonesco, Pinter, Beckett, Kafka, the Austrian philosopher Wittgenstein and Alice in Wonderland. Tear these into tiny fragments and scatter them on the stage. Austrian Playwright Peter Handke, 29, is a derivative word-vandal. He is currently quite the vogue in Europe, which suggests that the decline of the West is progressing more rapidly than Spengler envisioned...
Machined Mosaics Every art show is an archive, but none more explicitly so than the retrospective now at London's Tate Gallery. It runs from elaborate silk-screen prints dedicated to Wittgenstein to a giant chrome-plated combat boot; from a stack of bombs to a sprawling collection of clippings, toys, scraps and Mickey Mouse emblems hoarded by the artist over the past 30 years. It has all been assembled by Sculptor Eduardo Paolozzi, 47, an amiable, lowering Scottish-Italian with lobster-claw hands and the build of a robot. The show, a melange of art work and subject...
...According to Steiner's precise scenario, the "language crisis" began between 1900 and 1925. He even knows where: Central Europe. In Vienna, Ludwig Wittgenstein, bumping against the limits of language, desperately described philosophy as "speech therapy" and then proceeded to prove that it was. In Prague, Franz Kafka made art out of what Steiner calls "the resistance of language to truth." In their different ways, Steiner suggests, both men were signaling a loss of faith-the sudden awareness of a credibility gap between meanings and the words used to express them...
...strange bird, or the Savior of the World" -with an eerie operatic raunchiness. Kay Tolbert's Mary Magdalene is a good-natured whore; her number, "You Can't Get a Man with a Prayer" ("God is just an abstraction/I need a little action "), places her metaphysically about midway between Wittgenstein and Melina Mercouri. And Kathy Allyn's Elizabeth, a pregnant nonagenarian, is firmly and humorously controlled...