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...Concerto was written for Paul Wittgenstein, the one-armed pianist, and had its first American performances by him under Koussevitzky's direction...

Author: NO WRITER ATTRIBUTED | Title: The Music Box | 11/12/1937 | See Source »

Under the auspices of the Longy School of Music, the Chardon String Quartette is presenting on Wednesday evening, December 19, a program of chamber music which includes numbers by Goossens, Sibelius, and Korngold. In the latter suite, Paul Wittgenstein, distinguished one-armed Viennese pianist, will be the accompanying artist. The concert will be held at Brattle Hall at 8.30 o'clock. Tickets may be procured at the Longy School on Church...

Author: NO WRITER ATTRIBUTED | Title: The Chardon String Quartette | 12/17/1934 | See Source »

...Paul Wittgenstein, famed one-armed Austrian pianist, had made his U. S. debut with the Boston Symphony, playing a Concerto especially composed for him by Maurice Ravel. Bostonians closed their eyes because it seemed incredible that a single left hand could compass a keyboard so quickly and completely, make the treble sound clear and strong while the bass poured out a seething undercurrent. Compared with most pianists, Paul Wittgenstein has a fairly small hand. His trick was to train it to lightning speed, to develop his pedal technique so that he could cover transitions gracefully and subtly, give a solid...

Author: /time Magazine | Title: Music: One-Hander | 11/19/1934 | See Source »

...Wittgenstein was once a prize pupil of the Master Leschitizky who taught Paderewski. In those days he had two hands. Year after his Viennese debut came the War. Like any loyal 25-year-old Austrian, he went off to fight. On the way to the Russian frontier his right arm was wounded. He lost consciousness, woke up to find himself in a Russian prison camp. He was shunted about behind the lines, spent six months in Siberia before his group was exchanged for Russian prisoners in Austria...

Author: /time Magazine | Title: Music: One-Hander | 11/19/1934 | See Source »

...left Countess d'Agoult and met her successor, the cigar-smoking Princess Carolyne Sayn-Wittgenstein. Although love affairs continued to play through his life like tarantellas, she remained his nominal mistress until his death. Only a last minute refusal from Rome to grant her a divorce prevented their marriage...

Author: /time Magazine | Title: Music: Byron at the Piano | 9/10/1934 | See Source »

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