Word: wittgensteins
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...pieces are written as mere musical oddities, most are commissioned or written by handicapped pianists, e.g., Hungary's famed Geza Zichy (1849-1924), who lost his arm in a hunting accident, but developed into such a virtuoso that he played three-hand recitals with Liszt; Vienna-born Paul Wittgenstein, who lost an arm in World War I, and commissioned Ravel's Concerto for the Left Hand, two works by Richard Strauss, Britten's Diversions on a Theme...
...Passionate Skeptic is a highly readable and enjoyable book, simply because it relates the life of an extraordinary contemporary who has constantly been in the thick of things, intellectual and political, for the past 87 years. There are personal glimpses of such luminaries as G. E. Moore, Wittgenstein, Shaw, Keynes, Santayana, Whitehead, H. G. Wells, the Trevelyans, the Webbs, and the sessions of the Bloomsbury Group. There are also the various views of Harvard as it has changed over the half-century during which Russell has visited it. When Russell taught symbolic logic here in 1914, for instance he seemed...
...issue by throwing up a meaningless verbal smokescreen that will hide the obvious banality or falsehood of his views on certain points. This is the result of that slow, painful climb toward greater intellectual clarity which has been the life-work of Russell and his colleagues, Moore and Wittgenstein, and which some contemporary writing is doing so much to negate. Thus in the first volume of his Systematic Theology, Professor Tillich cites Hegel fourteen times, and Russell not once. If England's greatest living philosopher were aware of it at all, one suspects that he would regard this fact...
Greenbloom is always on the move: mentally, from Wittgenstein to Sartre; physically, from London to Paris; metaphysically, from Jewish Orthodoxy to agnosticism. Greenbloom, thinks John, "might equally well have been chasing something with every good intention or fleeing from it with a black heart." Indefinably but truly, Greenbloom helps John to the unlocking of his heart and mind...
...Prokofiev's left-hand concerto on a list, wrote to his widow in Moscow to ask her for the score. As the music was heard in Berlin last week (with the Metropolitan Opera's Martin Rich conducting), it no longer seemed aggressively modern, as it had to Wittgenstein, but more like an old friend. The whole piece is sprayed with crotchety harmonies, but it always makes the kind of leeway towards a safe harmonic port that is part of Prokofiev's charm. The solo part is no virtuoso standout, contains no smashing chords; it is a kind...