Word: witting
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Dates: during 1960-1969
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...short, along with genuine wit, much of the humor is terrible/funny or just terrible/terrible. A lot of the material would have seemed dated in New Jersey burlesque during Prohibition. Can they really mean it-using this sort of stuff on TV in 1968? Laugh-In's producers know bad jokes when they use them. There is an element of camp and reverse sophistication in this, reminiscent of making a cult of Charlie Chan movies and Captain Marvel comic books. Besides, the outrageous jokes are thrown into the machinery of the show to create contrast and surprise, and to give...
Combat makes a stab or two at humor: But for the most part, Combat lacks the wit that is the distinguishing-and redeeming-feature of its parent publication, National Review. Combat makes its debut at a rather advantageous time, when right-wing and anti-Communist sentiment appears to be on the rise in the U.S. Even so, it seems a bit superfluous. Ideology of the right is amply available in the Review; news of the rampaging radicals is generously covered in the daily press. Combat will have to unearth a lot more interesting subversives to be worth $24 a year...
...torrent of analytical advice that pours from Wall Street is hardly noted for its literary style, much less its wit. "We send a great deal of literature to our clients-most of it deadly dull," says Sidney Homer, 65, research partner of Salomon Bros. & Hutzler, one of the Street's largest bond dealers. Last week, however, Salomon Bros, was mailing its clients something different: a privately published book of Homer's needling sallies at the very serious world of bond investment...
Still, as the vice-presidential candidate, his gift for dry wit and understated oratory should appeal to a far wider audience than the New Englanders and big-city Poles who claim Ed Muskie as their...
Clicking Shutters. The backbone of resistance was Czechoslovak radio, which managed to stay on the air by wit and engineering wizardry. Middle-of-the-night calls went out to nearly all station personnel when the invasion started, and announcers managed to talk their way past Soviet lines even after the studios were surrounded. Věra Stovíčková, one of the best-known voices of Prague Radio, got past Russian guards by claiming that she was a charwoman. Others slipped out of the studios with vital transmitting equipment, which was soon wired up to put "Radio Free...