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This combination of a renegade vision and a faith that it will work distinguishes Forbes from the other candidates, whom he calls, in his charming preppy lexicon, "sourpusses" and "gloomy-doomies." Dole, with his barbed wit and allergy to abrupt innovation, is the most vulnerable to the comparison. "There's been a paradigm shift in politics, and I don't think Bob gets it," says Jan Anton, a California entrepreneur who was the state co-chair for Dole in '88 but is leaning toward Forbes this time. "Dole's a wheeler-dealer. He's just trying to hang...

Author: /time Magazine | Title: CAMPAIGN '96: KNOCK 'EM FLAT | 1/29/1996 | See Source »

THERE IT STANDS, THE FAMILIAR colossus, atop most lists of all-time greatest movies. And aside from the breadth and wit of the thing, its brooding on the very American subjects of power and celebrity, there is a reason why Citizen Kane is often named the world's best film: because it wants to be. Critics and audiences still respond to its eagerness to create a unique world and to be recognized for this grand achievement. The film both pants for approval and demands to be approached in awe. Glowing with boyish brazenness, Kane is an inspiration...

Author: /time Magazine | Title: PRAISING KANE | 1/29/1996 | See Source »

...year later, Welles arrived in Hollywood with a fussy, je-suis-l'artiste beard and an RKO contract giving him total control over his films. To an industry in robust middle age, Welles was a pampered brat. They called him Little Orson Annie, the Christ Child. One local wit said, "There, but for the grace of God, goes...

Author: /time Magazine | Title: PRAISING KANE | 1/29/1996 | See Source »

...ornament and outrage of many a dinner table in Bel Air--and also at Hearst's San Simeon, where he was a favorite of Marion Davies, keeping her giggling as they went outside for a swig. A former New Yorker drama critic and a full-time gambler, drinker and wit, Mank was the missing link between Hearst and Welles. Befriending the new kid, he proposed they write a life of a newspaper tycoon...

Author: /time Magazine | Title: PRAISING KANE | 1/29/1996 | See Source »

Some of the actors are able to handle both the script and Stern's production. Phoebe Jonas reveals the humor, wit, and confusion of Shelly with depth and aplomb. Jack Willis' Tilden is a little too Gumpish, but it nonetheless perfectly frightening and funny. It's hard to decide whether or not it's Georgine Hall's costumes onher acting that make her so interesting to look at. Charles Levin, who also played Pa Ubu and Stephano this past year, reprises his role as an hysterical, loud, bumbling idiot (what range...

Author: By Theodore K. Gideonse, | Title: Stern's Uneven Genius Can't Rescue Buried Child | 1/17/1996 | See Source »

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