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What precludes Arachnophobia from such a forgettable fate is Marshall's subtle wit and artful direction of the talented cast...

Author: By Garrett A. Price iii, | Title: What's Giant, Venezuelan, and Introduces Itself To You When You Open a California Coffin? | 7/27/1990 | See Source »

What redeems the work in the end is the dialogue, in its acuity and trenchant wit. The levels of diction in the production, either through directorial or textual failings, are almost as numerous as the subplots, but it is hard to complain. The moments of lyricism in the play compensate. Chrissy wants to dance ballet and "other dances that tell a story, of which go-go is only a poor fascimile...

Author: By Kelly A.E. Mason, | Title: A Little Boom Boom and Brutality | 7/13/1990 | See Source »

...have much in common. Both grew up in Czechoslovakia, and both left. Navratilova, who defected in 1975, is a naturalized U.S. citizen; Lendl, who renounced his former homeland more subtly, soon will be. Both struggled to master English, and both now speak it fluently, with a dry, self- belittling wit. Both love all manner of sports: Lendl is a fiend for golf and hockey, while Navratilova is enchanted with skiing, basketball and, as a spectator, American football. Both rose to the top through raw physical power, and both have seen the game evolve so much, in terms of their opponents...

Author: /time Magazine | Title: Sport: Stalking Memories At Wimbledon | 7/2/1990 | See Source »

...Detective Luis Bautista, Frost searches for the real culprit. Their investigation leads to the boardrooms of his old firm, power lunches at Manhattan's toniest club, and the swimming pools of Rio. Haughton Murphy (the pseudonym of James Duffy, a retired Manhattan lawyer) writes with inside information and civilized wit. The fifth adventure of Mr. and Mrs. Frost makes them the most enjoyable pair of married sleuths since Mr. and Mrs. North...

Author: /time Magazine | Title: Books: Summer Reading | 7/2/1990 | See Source »

...also not insignificantly about boots. There are many elegant close-ups of them as their bad-dude owners go menacingly about their wicked ways. These are the only shots that have any passion invested in them. The rest of the film is all awkward maneuver, without wit or feeling. Screenwriters John Fasano, Jeb Stuart and Larry Gross labor to arrange a plausible reason to reunite Murphy's smooth crook, Reggie Hammond, with rough cop Jack Cates (Nick Nolte) and place them in the kind of violent situations and give them the kind of rude comic exchanges that made the original...

Author: /time Magazine | Title: Cinema: In Search of Eddie Murphy | 6/25/1990 | See Source »

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