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Love it. Dick Tracy's look surely does merit rapture, but the movie also has wit and grace in a film era of witless gross-out. Scan the bold sweep of the narrative, which poses ripe dilemmas of career, love and family for a loner sleuth. Hum the songs written by Stephen Sondheim in his (hummable) Follies mode and splendidly performed by Madonna and Patinkin. Attend to the bold filigree work of the film's supporting cast of rogues, most of whom are devil- dolled up in grotesque prostheses and outlandish mannerisms but are given ample room to strut their...

Author: /time Magazine | Title: Cinema: Extra! Tracy's Tops | 6/18/1990 | See Source »

...wears his brown hair short, but not punk short, and he has no tattoos or earrings. He wears a blue Windbreaker and jeans. He is earnest, painstakingly sincere and a walking encyclopedia of the I.R.A. party line -- he has carefully shed any trace of the sly, irreverent wit common to his neighbors. John has been trained in firearms, explosives and withstanding police interrogation, and admits that he has assisted in a few "operations." He won't say a word about what or when...

Author: /time Magazine | Title: Northern Ireland: Death After School | 6/18/1990 | See Source »

...cartoons that Jules Feiffer syndicates to more than 100 newspapers around the globe are world crises in miniature -- angst-ridden responses by ordinary people to headline horrors and social absurdities. His plays have the same etched wit, the same arresting blend of compassion and chilly analysis and, alas for dramaturgy, the same tendency toward monologue: one of his central if unspoken themes is that people almost never speak to each other as insightfully as they speak to themselves...

Author: /time Magazine | Title: Theater: The Love Gap ELLIOT LOVES by Jules Feiffer | 6/18/1990 | See Source »

...better than Batman. Warren Beatty, Hollywood's most distinctive producer- star, scores after a long dry spell with a gangland drama of wit and grace, narrative sweep and unique visual style. All this and Al Pacino and Dustin Hoffman (strutting their roguish stuff while devil-dolled up in grotesque makeup) and a knockout Madonna too. It may not be a great movie -- after all, it's only comic-book art -- but it's great moviemaking...

Author: /time Magazine | Title: Time Magazine Contents Page: June 18, 1990 | 6/18/1990 | See Source »

...most dazzling sardonic wit. Shecan see the irony in almost anything," saysProfessor of History OIwen Hufton, chair of theCommittee on Degrees in Women's Studies andRobertson's thesis advisor...

Author: By Susan D. Wojcicki, | Title: Witty Woman | 6/7/1990 | See Source »

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