Word: witting
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Bragg even has one song called "Help Save The Youth of America," but the sheer wit of the lyrics lifts the patronizing air somewhat...
...satire The Erpingham Camp. No doubt about it, playwright Joe Orton was a great, corrosive farcist. With such devilish lines, he's been pricking up everyone's ears for the past two decades, and it's been audiences who've felt the inconvenience of his caustic, mad wit. He was so talented, even the cheeky, musical imps of the perverse, The Beatles, had Orton working on an original screenplay when he was bludgeoned to death by his homosexual lover Kenneth Halliwell...
...Princes, a wry and rowdy tale of a Massachusetts burg corrupted by drug money. The first-person narrative is a running comic diatribe against such targets as ignorant bartenders, hash-house cooking, thick-necked lawmen and macho, possessive Latin lovers. Most of the talk is badinage rather than wit, but it serves to deflate the pomp without completely devaluing the circumstance. Violence pervades the landscape, yet Parker always pauses to evoke compassion for the victims. And despite the ebullient entertainment, his purpose is as serious as ever: to remind readers that so-called victimless crimes generate huge amounts of cash...
...park bandstands in the rain (Isn't This a Lovely Day?) and on roller skates (Let's Call the Whole Thing Off), and used an entire country club in The Yam number, which for compressed intricacy may have been their most heart- stopping routine. But more than skill and wit informed their partnership. Rogers, as Critic Arlene Croce said, offered Astaire a "genial resistance," bringing out "toughness" and "masculine gallantry" and, one must add, his narrative skill. Their best pas de deux tell full romantic tales: challenge, hesitation, soaring consummation, wistful afterglow...
...closely followed his source novel, Gustav Hasford's taut, scary The Short-Timers. Now -- we will say no more -- Kubrick pretties up the climax with a bogus moral dilemma and some attenuated anguish. A viewer is finally left to savor earlier delights: the dialogue's wild, desperate wit; the daring in choosing a desultory skirmish to make a point about war's pointlessness; the fine, large performances of almost every actor (Ermey and D'Onofrio seem sure shots for Oscar nominations); most important, the Olympian elegance and precision of Kubrick's filmmaking. Full Metal Jacket fails only by the standards...