Word: witting
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...Excelsior, New Jersey. As the too-big-for-her-britches and too-bright-for-her-job housekeeper warns us, this play makes no sense. "It can't even decide if we're living in caves or in New Jersey," she declares. Throughout the play, Sabina, portrayed with superb wit and giddiness by Gasser, continues to step outside of the drama and remind us that this is only a play...
...down. The song: Byrne's Love Goes to a Building on Fire. Reporter-Researcher Elizabeth Bland, who assisted Cocks with the story, interviewed the musician-director several times in New York City. Bland says her initial fears about Byrne's daunting reserve were dissolved by the singer's dry wit. In Texas, Houston Bureau Chief Richard Woodbury attempted to hunt down the offbeat characters who played themselves in True Stories, including a man with dancing goldfish...
Musically Phantom is at once more sophisticated and less hummably memorable than most of Lloyd Webber's shows. There is no song to compare with Memory in Cats. Instead there are sequences that verge on opera, the most ambitious being a quasi-Mozartian septet. Unfortunately, the wit and scholarship of his tunes are nowhere echoed in Hart's lyrics, which oscillate between the banal and the impenetrable...
...movies with the force of a party doll at a quilting bee. Each form cheerfully exploited the other; neither was ever quite the same. By the '60s, movies were an indispensable tool for marketing any hot new group. Richard Lester's A Hard Day's Night pinned the larkish wit of four Liverpudlians on top of the world; Bob Rafelson's Head (co-written with Jack Nicholson) was a brilliant, bilious suicide note from the Monkees to their die-hard fans. Today rock helps sell nonrock pictures from Top Gun to Rocky IV. But it took David Byrne to bring...
...foxy or a weasel, or tantalizing bits of both? Peggy Sue, while tamping down the actress's smoldering Wasp sexuality, challenges her to play two characters and moods at once. She must simultaneously experience and elegize the high spirits of her teens, and she accomplishes the feat with grace, wit and feeling. Turner, 32, cannot pass for a teenager, but that makes sense. The young Peggy Sue is "not herself"; she is older and on the way to being wiser. It is appropriate too that Cage, 22, seems younger, jerkier than his girlfriend, because, being a guy, he is. With...