Word: witting
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...poetry, or else. A reasonable request. "Can't you talk of something else besides the weather, vegetables, and domestic animals?" Nicholas demands, as he proceeds to undertake this task with twice as much time as Nick Nolte and Eddie Murphy but with only half the wit. Luckily for him, the Devil (Bill Saunders) intervenes at just the right moment, stepping out inexplicably from the cupboard. (Has he been at those Pop-tarts again?) Through various ruses, he manages to finagle Flatford into signing away his soul in return for a large number of material goods to be provided before...
DIED. Ina Claire, 95, actress of insouciant charm and wit who graced vaudeville in the pre-World War I era, silent films and later talkies, but mostly the Broadway stage, where she specialized from 1917 to 1954 in the highly varnished comedies of bad manners and good breeding (The Last of Mrs. Cheyney, 1925; Biography, 1932; Ode to Liberty, 1934) in which the characters misbehave in venomous, perfectly timed epigrams; in San Francisco...
This movie ought to come adorned with cautionary labels. "Fragile!" "Handle with Care!" "Use No Hooks!" But how do you slap a sticker on a soap bubble? The temptation, then, is simply to let it drift, shimmering and iridescent as it dances on rare currents of wit and nostalgia, and to hope, of course, that it comes to a safe resting place in millions of memories...
...creation of two University of Chicago alumni, Sahlins and Paul Sills. Earlier, Sills had co-founded the Compass Players, where Mike Nichols and Elaine May first scored their sharp points. Just as the Compass had been, Second City was to be a showcase for performers whose native wit had been quickened by training in the methods of improvisation. Before long, it had gained a reputation as a small pond that spawned big fish, and as veterans took off for Broadway or Hollywood, eager newcomers arrived to take their places. "Everyone will tell you we all loved one another," snorts Rivers...
...Mountain is set to a noisy concerto by the 19th century Irish piano virtuoso John Field (thus the Field in the title). In commissioning the piece, Artistic Director Mikhail Baryshnikov asked only that Gordon use a set, and Gordon came up with an inventive one. Executed with cheeky wit by Santo Loquasto, it unfolds from left to right like a Japanese screen: first a sort of rock field, then above it, an orange mountain on which are painted more folding chairs...