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Herman and Elizabeth Roth's youngest son skipped two grades, entering high school at twelve. His senior yearbook was premonitory: "A boy of real intelligence, combined with wit and common sense." Roth recalls that at Bucknell University, in Lewisburg, Pa., he asked his English instructor if he should participate in activities that would help him get along with people. "Why would you want to do a thing like that?" replied the prof. Says the reluctant joiner: "It was wonderful ... the first great line of my education...

Author: /time Magazine | Title: Books: Goodbye, Nathan Zuckerman | 11/7/1983 | See Source »

...danger for the filmmaker lies in the logical extension of this premise, to wit: in fact, you even say that, gosh, they're kinda cute, like big lovable dogs...

Author: By Jean-christophe Castelli, | Title: Not for Cuddling | 11/3/1983 | See Source »

...author of the much honored The Great War and Modern Memory is not out to win votes. His aim is to offend, mainly the middle class, and to decry the decline of culture and taste. He succeeds, with considerable wit and a fine malice, but it is hard to take him seriously. Having revealed the stratagems and pretensions of everyone able and willing to read his book, Fussell emerges as an upscale bohemian. His ideal social category is the "X" class, a cosmopolitan elite who speak several languages, drink excellent cheap wine, never have to be at work on time...

Author: /time Magazine | Title: Books: Where the Elite Don't Meet | 10/31/1983 | See Source »

...film presentation with Eisenhower, Johnson sees the face of a Russian scientist and drawls. "Get that moron off of there," with the most extended moron this side of Gomer Pyle. Moffat's characterization, or rather caricature, elicits a laugh or two, but The Right Stuff's otherwise steady wit makes such heavy-handed jabs unnecessary...

Author: By Richard J. Appel, | Title: High Flying Heros | 10/29/1983 | See Source »

...exceptional: as the artist's devoted wife, a woman so blind to her husband's sins that she might easily seem pathetic, Martha Henry radiates strength, grace and throbbing-voiced appeal. In Dilemma's other exacting role, Brent Carver finds the scapegrace charm and wit of the dying young artist but just misses the offhand incandescence that would fit the repeated description of him as a genius. Phillips has acted the part himself, to acclaim, and knows that the character's simultaneous power to seduce and appall an audience is vital to the play...

Author: /time Magazine | Title: Theater: Great Expectations in Canada | 10/24/1983 | See Source »

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