Word: witting
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...tapes catch little of the celebrated Kennedy wit, although the tenseness of the long night in which he and top advisers tried to direct events in distant Mississippi was broken by moments of levity. "I haven't had such an interesting time since the Bay of Pigs," J.F.K. said wryly as he sought to outmaneuver Mississippi's Governor Ross Barnett, who had twice blocked Meredith's registration at the university, inflaming racial tensions over the issue. Kennedy had sent some 500 federal marshals to the Oxford campus to protect Meredith as he arrived, and had federalized units...
...young and earnest, and Torgerson was a popular veteran, married to another member of the Central America press corps, Lynda Schuster of the Wall Street Journal. Torgerson, a North Carolina native, had been a newsman since his teens; his foreign assignments included Nairobi and Jerusalem. Renowned for quick wit and warmth, he was unflappable; when a plane he was aboard had a harrowing landing last year, Torgerson buried any fears he may have had in a hearty laugh. Cross, a Kansan who worked in Central America for years under the pseudonym R. Cruz, was a loner, but passionate about...
...Mama's boy twist ending, the movie of ten slows to a crawl as it tries to explain it self. On the other hand, that ending is genuinely surprising and, like much of the rest of Psycho II, it has a certain sly wit about it. Indeed, there is a rather good-na tured air about this not overly scary pic ture, which pays homage to Hitchcock's most famous (but not best) work without trying either to rip it off or knock...
...Major, Opus 16 by San Francisco Choreographer John McFall, 36. Lynne Taylor-Corbett, whose Great Galloping Gottschalk was a hit last year, has a moody new piece, Estuary; once again the performances, by Van Hamel and Patrick Bissell, burnish a dull concept. Van Hamel, a dancer of wit and grace, has an even murkier assignment in Jiri Kylian's Torso, a grim, roughhouse pas de deux with Clark Tippet...
...scandalous/novelist/social historian/pornographer named Restif de la Bretonne (Jean-Louis Barrault); an aging but still engaging Casanova (Marcello Mastroianni); the dry English essayist Thomas Paine (Harvey Keitel); a sumptious Comtesse Sophie de la Borde, lady-in-waiting to Marie Antoinette (Hanna Schygulla); and various peripheral caricatures of the aristocracy. The wit, the life-blood of an era contained in one carriage, offer the potential for a rich entertainment, but the result is an uneven and tedious sequence of quarrels and flirtations, the names and costumes of history failing to conceal the mediocrity of this entertainment. As Casanova admits at one stage...