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Heather Watts, 24. Corps de ballet, New York City Ballet. Watts is a lithe wire of a woman who radiates both sensuality and wit onstage. She has approached her career rather casually; Balanchine persuaded her to quit smoking by restructuring a solo just for her. She lives now with Peter Martins, who created his first ballet, Calcium Light Night, for her. A lady with magnetism...

Author: /time Magazine | Title: Dance: Others at the Turning Point | 5/1/1978 | See Source »

...been telling you for two weeks now, it's both a supernatural opera and a melodramatic satire. It teems with mad love-sick girls and baronets in disguise and family curses and portraits that come to life. Despite the absence of the celebrated Gilbert and Sullivan social wit and a rather abrupt finale, the show is as visually dazzling as it is technically brilliant. Sully Bonn's direction provides both spine-tingling and spine-tickling moments, and costumes and sets are executed with the customary G & S expertise. But enough of this undignified gushing. Simply...

Author: By Troy Segal, | Title: Just Desserts | 4/27/1978 | See Source »

Classic rock of grim wit and menace...

Author: /time Magazine | Title: Music: Lou Reed's Nightshade Carnival | 4/24/1978 | See Source »

...focus does not quite work the other way. Most Americans may never have heard of Steinberg, but the influence of that clear, epigrammatic line and dry wit has been felt throughout American design and illustration for almost two generations. Moreover, his motifs are almost subliminally recognizable: the wry face whose nose turns into a detachable line, the worried cats, the Ruritanian flourishes and curlicues, the apocalyptic scenes of street riots and urban breakdown, the setting of the bizarre commonplaces of American life in a cosmopolitan matrix. Such details of Steinberg's work constitute a signature and have subtly altered America...

Author: /time Magazine | Title: The World of Steinberg | 4/17/1978 | See Source »

Perhaps we should credit Woody Allen with popularizing these neo-Freudian ideas about wit. Allen manifestly began tracing a path through his jokes into his unconscious, often parodying Freudian symbolism but in the process probing among the tickles for that raw spot which when touched would twitch with pain. Sometimes wit--which most people think of as an aid in relieving anxiety--becomes the enemy: a steadfast shield that keeps our insides moist and pink, halting our emotional development and hindering our ability to be intimate with other people. So much...

Author: By David B. Edelstein, | Title: If You Have a Lemmon, Make Tribute | 4/17/1978 | See Source »

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