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...sheer pretension of the man! The bravado of his lyric, the daring of his melodies. Porter's talent knew no bounds, his wit knew no shame. He was an egregious anachronism. No, not that either, for it is hard to think of any time when he might have been completely at home, totally at ease. This man who made Scott Fitzgerald look like Jonathan Edwards lived in an age and a world unto himself...

Author: By Michael Ryan, | Title: Cole Porter Redivivus | 5/11/1972 | See Source »

...convey all this is a formidable, albeit irresistible, challenge for an actress. Two of the current attempts are strikingly successful. Eileen Atkins turns Vivat, Bolt's ponderous high school history pageant, into exciting drama, with an Elizabeth of coruscating wit and feline sensuality. Glenda Jackson, in Elizabeth R, is more subtle, but equally brilliant, with an astonishing ability to convey mood and nuance and to switch from a purr to a roar. "We are," Elizabeth proudly and accurately proclaimed, "of the nature of the lion...

Author: /time Magazine | Title: Time Essay: The Return of Elizabeth and Mary | 5/8/1972 | See Source »

Loot looks like an unlikely hybrid of the Marx Brothers, Agatha Christie and a training film for the Mattachine Society. Narizzano has directed the bad taste in bad taste, clumsily camping it up at every opportunity, blunting Orton's coruscating wit. That this comes through at all is owing less to Narizzano than to the play's admirable resiliency...

Author: /time Magazine | Title: Cinema: Demolition Derby | 5/8/1972 | See Source »

...orchestras, a ballet company and an ambition that overreaches many professional companies. To all that, Indiana has now added an $11.3 million musical arts center. What better way to show off the new 1,460-seat theater than to put on an opera written by a faculty member? To wit: Heracles, Composer John Eaton's 3½-hour treatment of Sophocles' legendary Greek hero...

Author: /time Magazine | Title: Music: Campus Honors | 5/1/1972 | See Source »

...case, Bogdanovich is off and running toward his glorious re-run of the Golden Age. He is the industry's newest hot property, scrubbed and eager. He has taken to appearances on talk shows, nattily dressed, well equipped with wit and anecdote and has never been known to pass up a chance to call Orson Welles by his first name. He has started a blood-feud with a critic and has left his wife for an actress. All very Hollywood. If none of this will make his films any better, it will at least make the spaces between them more...

Author: By Michael Levenson, | Title: The Last Screwball Comedy Show | 4/26/1972 | See Source »

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