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...television because of its possible effects on children. While Steinfeld's appeal did not constitute an official threat, touchy network heads were quick to react. Said ABC President Elton Rule: "Even greater emphasis is being placed on presenting children's programs which resolve conflict situations through wit, charm, intelligence and imagination." NBC President Julian Goodman added: "The real question for us is not to condemn all action and conflict because it can be called violent, but to present all these elements, when they are necessary to the story, in a way that does not glorify violence...

Author: /time Magazine | Title: The Nation: Diluted Bangladesh? | 4/3/1972 | See Source »

...wit and friendliness are immediately evident. This amazing conglomeration of roles and relations can exist only, it seems, on the basis of an extraordinary personality. Her character smacks of unusual and invigorating qualities. On the other hand, "I'm selfish," she admits, with an apologetic grin, but her eyes challenge any rebuttal of this self-analysis, "and I'm strong minded." "She's human as hell," a student tries to explain in the face of her intimidating vitae and potoriously merciless academic standards, but you couldn't mistake her for a soft-heeled humanist; she's really a tough...

Author: By Celia B. Betsky, | Title: Judith Shklar: The Metics' Metic | 3/31/1972 | See Source »

...Cabaret to the screen--has done well to sacrifice none of these innovations. The core of his film is still the cabaret numbers themselves, played out on a cramped, cluttered stage given depth and dimension only by Geoffrey Unsworth's cleverly stark lighting effects. Throughout, Fosse's own particular wit as a choreographer of decadence--his "Rich Man's Frug" was one of the best things in his earlier staging of Sweet Charity--serves to summon up a wealth of period references--the tinkly, jarring music of Kurt Weill, the angular, fantastic interiors of Dr. Caligari, the smoky torch songs...

Author: By Gregg J. Kilday, | Title: So OK, Your Boyfriend's Bisexual, But Don't Take It Out on the Nazis | 3/27/1972 | See Source »

...last ten years... You couldn't see the play for all the coming and going." Scott has known the author, Arthur Kopit '59, since their graduate days, although he has not talked to Kopit recently about this production. The play shows touches of the kind of manic wit Kopit displayed in his undergraduate play, Oh Dad, Poor Dad, etc., and also provides the director with some chance for pyrotechnics. Scott's touch should be evident all over this production...

Author: By Michael Ryan, | Title: With Harold Scott | 3/23/1972 | See Source »

Literary Critic Mary Ellmann's book is concerned with mind and language. She shows with wit and logic that sexual analogies and feminine literary stereotypes-e.g., formlessness, passivity, piety, irrationality-are the misleading products of masculine delusion and illogic. A pleasure, whatever the reader's persuasion about Women...

Author: /time Magazine | Title: Books: Lib and Let Lib | 3/20/1972 | See Source »

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