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Without Apparent Motive, a new thriller with Dominique Sanda, Jean-Louis Trintignant, and a lot of wit. Cheri...

Author: NO WRITER ATTRIBUTED | Title: the screen | 3/16/1972 | See Source »

...film (Redford, admired by Segal for his "nerves of steel," suffers from gastritis). But the jokes do not so much supplement the tension as undercut it. Combining satire and suspense is a treacherous business. Only Hitchcock (as in North by Northwest) has really been able to manage it. His wit, visual sophistication and editorial wizardry are greatly missed in The Hot Rock...

Author: /time Magazine | Title: Cinema: Schlemiel Quartet | 3/6/1972 | See Source »

Scofield is at his most dexterous in Bartleby, bringing extraordinary wit to the rather dreary role of a beleaguered office boss (no name given). The film is adapted from Herman Melville's story Bartleby the Scrivener. Bartleby (John McEnery) is a kind of saintly madman, an almost ghostly figure employed (as the movie has it) as an accountant in Scofield's office...

Author: /time Magazine | Title: Cinema: Masterly Inflections | 3/6/1972 | See Source »

...styles? Old Communists, for example. They really did make them better years ago. One of the best models was the brilliant, arrogant, vain, dogmatic, versatile Bolshevik, Lev Davidovich Bronstein. He called himself Trotsky, after a jailer at the czarist prison where he once served time. Trotsky was not without wit. When Nicholas II's troops came to break up a revolutionary meeting, the young radical ordered the commanding officer to sit down until recognized under Robert's Rules of Order...

Author: /time Magazine | Title: Books: Vintage Red | 3/6/1972 | See Source »

MOLIERE is one of those playwrightes who, like Wilde and Shaw, delight us with their wit and surface polish rather than any deep probing into the darker recesses of human nature. His plays give the impression of following some ideal of classical form which, however, is never allowed to choke off a good opportunity for laughter or propaganda, for horseplay, music or flouncing epicene behavior. The words dance in intricate patterns of couplets and sextets; the uncomplicated nature of each character is pinned down in his opening lines and does not go off in any unpredictable direction for the rest...

Author: By Sim Johnson, | Title: Le Misanthrope | 3/4/1972 | See Source »

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