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When McClelland applies his undiluted wit in a series of Boggie tales, "The Great Goodison Toad Hunt" and other cartoon stories it's hard to remember his calligraphy, quality of line, pictorial images or composition, because you're too busy laughing. But they're all still there, and more...

Author: By Deborah R. Warhoff, | Title: McClelland | 12/13/1968 | See Source »

Previous productions of The Fantasticks I've seen have provoked similar crises of faith. If you've heard "Try to Remember," you've heard the show's moral: to wit, "without a hurt the heart grows hollow." Now if you read that with a Phyllis McGinley intonation--as is often done--you've got a pretty saccharine play on your hands. The Leverett House Opera Society has chosen a different tack. The prevailing tone of the evening is a cool, balanced wit. Rather like a mellow Oscar Wilde propounding the importance of being burnished. The results are marvelous...

Author: By Gregg J. Kilday, | Title: The Fantasticks | 12/12/1968 | See Source »

...only viewers who probably even know he exists are the few who stay tuned to Huntley-Brinkley after the news is over to hear the snatch of Beethoven as the credits roll up the screen. Huntley and Brinkley have always been those two congenial fellows with the wry wit who make digestion a little bit easier every night after dinner. They became something quite different during the Democratic convention. Their public turned on them, criticized them, and Northshield wonders...

Author: By Mark R. Rasmuson, | Title: Huntley and Brinkley Boss: Reporting Chicago or Abusing It? | 12/10/1968 | See Source »

Seldom does Cooke slip into his genre's pitfall: bad amateur anthropology. Their wit not withstanding, his comments on the effect of air conditioning on New York family life do fall into this class, as they become contrived expositions of trivia. He is safer--and much more entertaining--when he sticks to the looser descriptive style of which he is a master...

Author: By William R. Galeota, | Title: Talk About America | 12/9/1968 | See Source »

...Shakespeare. "The funny, far-out menu is a must these days," states Manhattan Restaurateur Shelly Fireman. "The majority of people who dine out are bored with each other and need something to break down the barriers. A way-out menu gives them something to talk about." Alas, the wit is insipid. Along with the "martini-bopper's special," Fireman's own Tin Lizzie restaurant revels in marginalia: "Sit down in our barber chair and enjoy the last living 5? shoeshine, done with real champagne." Minneapolis' Cork & Fork follows each listing with an entry like "Lionel Barrymore...

Author: /time Magazine | Title: Restaurants: Edibility Gap | 12/6/1968 | See Source »

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