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...place in the new theatrical year. Top dramatic playbilling goes to The Night of the Iguana and A Man for All Seasons. Iguana is Tennessee Williams' gentlest play since The Glass Menagerie, and the wisest play he has ever written. Seasons is a play of wit and probity about a man of wit and probity, Sir Thomas More, with Emlyn Williams less effective than Paul Scofield was in the role. A Thousand Clowns lives up to its title, and Jason Robards Jr. rings merry changes on the slightly tired subject of nonconformity. In its second season, Jean Kerr...

Author: /time Magazine | Title: Cinema: Aug. 31, 1962 | 8/31/1962 | See Source »

...brilliantly dressy slapstick satire: a show most wise and cruel when it seemed most raucous and extravagant. As a screenplay-written by Wolf Mankowitz and directed by John Guillermin-Anouilh's fine-feathered strutter has been saponified, caponified, shorn of its more splendid plumes of wit and stuffed with a mighty chunk of supererogatory and rashly overcolored celluloid that might have been more sensibly and even profitably employed to blow up the bank that financed this picture...

Author: /time Magazine | Title: Cinema: Sellersmanship | 8/17/1962 | See Source »

...tickets to most attractions are enticingly easy to get. Top dramatic playbilling goes to The Night of the Iguana and A Man for All Seasons. Iguana is Tennessee Williams' gentlest play since The Glass Menagerie, and the wisest play he has ever written. Seasons is a play of wit and probity about a man of wit and probity, Sir Thomas More. On the comedy front, A Thousand Clowns lives up to its title, and rings merry changes on the slightly tired subject of nonconformity. In its second season, Jean Kerr's Mary, Mary remains a wisecrackling funfest...

Author: /time Magazine | Title: Cinema: Aug. 17, 1962 | 8/17/1962 | See Source »

...clutch of musicals caters to the best and worst of tastes. The astringent wit of Abe Burrows fuses How to Succeed in Business Without Really Trying, and the impish energies of Robert Morse provide the explosive for an evening of great delight. Multi-aptituded Zero Mostel brings his masterly clowning to A Funny Thing Happened on the Way to the Forum, an uproarious burlesquerie, lewdly adapted from some plays of Plautus. And there is still plenty of verve and joy left in the grande dame of Broadway musicals, My Fair Lady...

Author: /time Magazine | Title: Cinema: Aug. 17, 1962 | 8/17/1962 | See Source »

Much of the success of the North Shore production may be attributed to its star Rosalind Elias. Unlike many another musical comedy actress, Miss Elias does not exaggerate the potential of her role. She attempts no feigned gaity to intimidate the audience, no sophisticated wit, no theatrical high notes. Rather, she plays the part as it is written: as an intense and sentimental romantic, with little but the intensity of her emotion to commend her to her audience. But the romanticism of the part as it is portrayed by Miss Elias secures its effect. The luscious music comes through powerfully...

Author: By Richmond Crinkley, | Title: Bittersweet | 8/16/1962 | See Source »

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