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...about it, but rather in doing both simultaneously. The duelling should be done strictly in time with the flowing cadences of the verse. But here there are so many pauses between phrases and lines that the stunning effect of the tour de force is lost; the tongue and the wit defer to the foot and the blade...

Author: By C. T., | Title: Cyrano de Bergerac | 8/8/1957 | See Source »

...with true Bergeracquian heroism on playing anyway. His performance certainly did not suffer, except for an occasionally gravelly voice. Morse can summon the panache, the spirit of bravura that the role requires. He becomes in turn all the things that make up Cyrano's character--braggadocio, courageous soldier, learned wit, testy quarreler, gallant lover, poetic lyricist, resigned indigent, noble altruist and pathetic but proud moribund. He gets a lot of variety out of his famous Nose Speech; and he correctly performs his Moon Travel Scene with a foreign accent. His Cyrano is first-rate acting...

Author: By C. T., | Title: Cyrano de Bergerac | 8/8/1957 | See Source »

...Tufts production conveys much of Giraudoux's imaginative wit and irony, but lacks dynamism and the smoothness of a thoroughly rehearsed production. Alkmena is anemic, Amphitryon should be more possessive. Instead of vigorous verbal fencing between Jupiter and Alkmena, we hear but gentle gibes. Muffed lines, awkwardly handled props, clownish warriors, nonexistent Theban mobs, and a series of confused sounds purporting to be "cosmic music" mar the plays buoyancy...

Author: By Anna C. Hunt, | Title: Amphitryon 38 | 8/1/1957 | See Source »

...legend with fantasy, and the lyrical with the intellectual and philosophical. His unique talent imbues the erudite classical and rational with the whimsical, imaginative and romantic--distilling a sparkling essence of originality and spontaneity. He analyses the psychology of love with occasionally brilliant and penetrating flashes of Oscar Wildean wit, epigrams and repartees, and unmasks man's soul with inquisitive glee, showing sympathy and understanding of human character. His rainbow play sheds a radient vision and has an unmistakably French idiom of graciousness and lightness...

Author: By Anna C. Hunt, | Title: Amphitryon 38 | 8/1/1957 | See Source »

Shaw's proverbial wit is abundantly manifest. At one point the self-styled "greatest living master of letters" exclaims, "All I ask is to have my own way in everything." And after an ovation at a play, he said, "My impulse was to rise and bless them. I often feel like the Pope...

Author: NO WRITER ATTRIBUTED | Title: A Shaw Premiere | 8/1/1957 | See Source »

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