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Kaganovich introduced his protege to the top Kremlin big shots, and Khrushchev, who had wit and a fund of droll peasant sayings, and could laugh with his hands on his hips at the boss's mordant quips, was soon a regular visitor at the dacha Stalin kept for his fun-loving consort Roza Kaganovich, Lazar's sister. Khrushchev was a good deal more useful to Stalin than many of his Kremlin dummies. Twice Stalin sent him into the Ukraine to deal with troublesome peasants and bourgeois nationalists. Nikita, dressed in a Ukrainian shirt and cloth cap, deported scores...

Author: /time Magazine | Title: RUSSIA: The Quick & the Dead | 7/22/1957 | See Source »

When not in college, Kay (as he is called at Harvard) lives in London's Eaton Square with his mother, the former Joan Barbara Yarde-Buller, who, according to the late Aga, is an "Englishwoman of beauty, charm, wit and breeding." From there last week he hurried to Switzerland to his dying grandfather's bedside. Tense and nervous after the announcement of his succession, he took his seat on a white satin throne to receive a delegation of Moslem dignitaries from India, Pakistan, Singapore and East Africa. "My religious duties," he said, "start as of today...

Author: /time Magazine | Title: ISLAM: The Ago Khan | 7/22/1957 | See Source »

...with five grandchildren, she is worth goggling at. In her pantomimic specialty, she has enacted cats, urchins and tramps, done somersaults, cartwheels and pratfalls, careened on roller skates and horses, swung from a chandelier and a trapeze; acrobats used her as a jump rope. Kathryn, an off-screen wit, belittles the on-screen Kathryn: "You just lend your body to anyone you know is strong." One of her daughters once asked: "Mother, do you think these things are really quite suitable?" Producer Murray thinks so. Says he: "When women see Kathryn on a trapeze, they visualize themselves on a trapeze...

Author: /time Magazine | Title: Television: The Sponsor's Wife | 7/22/1957 | See Source »

Monday evening's opening was marred by none of the foibles which often make the play long, tedious and choked with Shavian didacticism. The production moved quickly from the peaks of Shavian wit and left the sprawling valleys of Shaw's philosophizing to shift for themselves...

Author: By George H. Watson, | Title: Man and Superman | 7/18/1957 | See Source »

Recently back into prominence in America with The Lark and Waltz of the Toreadors, Anouilh divides his output into four classes--pieces roses (rosy, pleasant plays), pieces noires (sombre, unpleasant plays), pieces brillantes (shining plays), andpieces grincantes (grating plays). Thieves' Carnival is a piece rose, a delightful comedy of wit and frolic. But even here, every once in a while little undertones of sadness poke through the surface...

Author: By Caldwell Titcomb, | Title: Thieves' Carnival | 7/18/1957 | See Source »

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