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With biting satire and rollicking wit, the play portrays a medical charlatan who parlays a non-existent practice in a rural French village into a hospital (formerly the town's hotel) brimming with the hypochondriactic citizenry...

Author: By Anna C. Hunt, | Title: Doctor Knock | 7/18/1957 | See Source »

...what evidently escaped the Tufts' players. The cast was unfortunately headed by Fred Blais, who, miscast as Knock, turned in a dismal performance. While maintaining the Doctor's mock-solemnity, he not only failed to imbue him with the necessary dynamism and authority, but utterly lacked Knock's resourcefulness, wit, and ability to manipulate people. His awkward use of medical instruments, moreover, was not calculated to convince the audience that he was more than a bungler, which Knock most emphatically...

Author: By Anna C. Hunt, | Title: Doctor Knock | 7/18/1957 | See Source »

...Ballet; Angel). Menotti's bittersweet madrigal fable of a lonely poet's struggle with "the indifferent killers of the Poet's dreams" seems almost as effective in recording as it did on the stage (TIME, Nov. 5). The libretto, in clearest English, is thorny with barbed wit, and the music is alternately exuberant and shadowed with the gentle melancholy the poet-hero feels as he slowly dies, surrounded by "the pain-wrought children of my fancy...

Author: /time Magazine | Title: Music: New Records, Jul. 1, 1957 | 7/1/1957 | See Source »

Director Preminger seems to approach Shaw's classic with a heavy Germanic reverence that sorts ill with the trustbusting, wit-snapping Shavian spirit. His scriptwriter, Novelist Graham Greene, has adapted Shaw's play to the screen almost word for word. The result is talk, talk, talk. And even when the talk is good Shawmanship, Preminger and his cast manage to make it bad acting. Indeed, the whole company plays with such clumsiness that the expert Sir John Gielgud, as Warwick, has to pick his way to histrionic success like a first-string halfback dodging through the scrub...

Author: /time Magazine | Title: Cinema: The New Pictures, Jul. 1, 1957 | 7/1/1957 | See Source »

...home in the suburbs to fish for his soul in the shade of a Rocky Mountain peak. The hero of The Durable Fire undergoes the equivalent of a deathbed conversion before he can regain his faith in the corporate way of life. Both men sing the organizational blues, to wit, Big Business is too much like Big Brother...

Author: /time Magazine | Title: Books: The Org Man Blues | 6/24/1957 | See Source »

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