Word: witting
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First serialized during the late '90s in the UK newspaper The Guardian, "Gemma Bovery" looks nothing like the mirthless "funnies" Americans have gotten used to in their daily papers. One can scarcely imagine the generosity of space and wit that would be needed to accommodate Simmonds' striking compositions, much less her racy and literate subject. As clever with her brush as she is with her typewriter, Posy Simmonds seamlessly matches swatches of strongly written text with expert spot illustrations and uproarious traditional panel sequences. "Gemma" makes for a rich reading experience, as well as a rewarding...
...Social satires tend to be pretty crude affairs in the world of comix. Cartoonists tend to succumb to the genre's temptations of broad, easy caricature. Posy Simmonds avoids this with her particularly English dry wit. Rich with memorable characters, literary depth, cutting humor and pictorial panache, "Gemma Bovery" sets a new standard for intelligent cartoon satire in graphic novel format...
...story: boy meets girl, girl turns out to be his mother, boy kills father. Sophocles told it 2,400 years ago, as have many authors since. But few have tackled the Oedipal tale with as much wit, verve and retail success as Japan's Haruki Murakami has in Kafka on the Shore. The book sold 550,000 copies in its first month on his home soil in 2002, inspiring a sequel comprised of selections from the 8,870 e-mail critiques Murakami received and his 1,220 replies. Kafka has become a best seller in Germany, South Korea and China...
...people--the scar's not that bad--as weary them. It's so difficult for him to communicate that everyone else just finds it easier to leave him mired in his isolation. So does he. Because he's the book's narrator, we know all about his low-key wit and the sharp, sure turnings of his mind. Bystanders have to make do with the reassurance printed on the business cards he brings out to explain his muteness: PLEASE REMEMBER: I AM OF NORMAL INTELLIGENCE...
...potential profit, corporate America and hip-hop performers formed a relationship that would result in the near-total commodification of hip-hop. Some performers, like the Fresh Prince and DJ Jazzy Jeff, accepted this incorporation outright; others, like Public Enemy and the gangsta rap collective NWA (or Niggaz Wit Attitude), saw hip-hop’s expansion as an opportunity to vent their frustrations with the social order in America...