Word: witts
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Dates: during 1990-1999
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Stephen Fleming's solo in the opening number, Van Morrison's "Brown Eyed Girl," was thin and stilted, and Daria Witt's lead in the next number, Smoky Robinson's "Tears of a Clown," was too reserved to convey the song's emotional power. However, both numbers were tightly arranged and well-staged. And the next song, "Since I Fell for You," made for a nice change of pace, with Amy Daley's lead skillfully communicating vulnerability...
...year, but not on their time-warp wholesomeness. None is cuddlier than Dolly Parton: Christmas at Home (ABC, Dec. 21), in which the country singer twangs I'll Be Home for Christmas -- and is. Disney's Christmas on Ice (CBS, Dec. 21) brings Mickey and Minnie together with Katarina Witt and Tai Babilonia, while Richard Mulligan plays a small-town eccentric who meets an extraterrestrial (Beau Bridges) in Guess Who's Coming for Christmas? (NBC, Dec. 23). On the classical side, James Galway and Frederica von Stade headline A Lincoln Center Christmas Gala (PBS, Dec. 19). And, of course...
Last week Boitano and Witt opened an all-new sequel with shows in Portland, Me., Baltimore and Albany as the first of a projected 25 cities. They were joined by 13 other skaters, including former world champions Alexander Fadeev, Oleg Vasiliev and Elena Valova of the Soviet Union, and Paul Martini and Barbara Underhill of Canada. From the first otherworldly moment, when the skaters emerge in near darkness, forming abstract clusters and patterns to the accompaniment of a reverie about skating by the 19th century writer Alphonse de Lamartine, to the finale adapted from Carmen, in which a love-sick...
...Boitano and Witt, moreover, skating together represents a pragmatic compromise between getting an audience and pursuing their true calling, solo performance. Says Witt: "We each have two solos per show. But we also do partner skating, which is totally different." The moves in pair skating are much closer to dance and emphasize carrying and tossing the female partner rather than individual jumps and spins. Thus the genre is at once less athletic than what Boitano and Witt are used to and far more athletic than what they can achieve together without years of practice. Witt, who is not pushing herself...
...audiences, these frets and cavils are imperceptible. Witt and Boitano have not only talent but taste. In this tour, they also have a triumph...