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...sent on their sorties by the fiendish Lord Voldemort, and in Harry Potter and the Half-Blood Prince, a grim fate encircles one teenage boy like a noose around his soul. The adult he reveres most in the world has given him a mission to destroy a hugely powerful wizard, yet as he gazes in a mirror, the quivering face staring back at him belies his resolve to do the deed. It's a dreadful burden on someone barely out of childhood, in his sixth year at Hogwarts. Will Draco Malfoy be able to do Voldemort's bidding and kill...

Author: /time Magazine | Title: Harry Potter: Darker, Richer and All Grown Up | 7/15/2009 | See Source »

...book's central theme. True to Rowling's portrayal of the teen experience, the film is almost wholly occupied with school: the business of getting good grades (sometimes by cheating) and the influence of inspiring or maleficent teachers. Plus, of course, sex. (Read about the phenomenon of wizard rock...

Author: /time Magazine | Title: Harry Potter: Darker, Richer and All Grown Up | 7/15/2009 | See Source »

Watch TIME's video "Harry and the Potters Will Wizard Rock...

Author: /time Magazine | Title: Harry Potter: Darker, Richer and All Grown Up | 7/15/2009 | See Source »

Whatever Works also owes a debt to The Wizard of Oz. Melody is Dorothy, Boris is the fulminating old wizard, and Oz--well, that has to be Manhattan: Gotham as the Emerald City, full of endearing creatures who make dreams come true. The town has a magical effect on its visitors. Melody picks up some of Boris' dour rhetoric, except that for cretins she says "croutons." Her parents, having followed her trail north, get the feeling too. Her staid father (Ed Begley Jr.) unbuttons his sexual inhibitions, and her Blanche DuBois--like mom (a stingingly funny Patricia Clarkson) becomes...

Author: /time Magazine | Title: Woody Allen's Latest: Works Like a Charm | 6/29/2009 | See Source »

...Washington. If there'd been just five slots, the roll call might have ended there. But since 10 was the magic number, there was room for two transcendent weepies, Dark Victory (Bette Davis loses her sight) and Love Affair (Irene Dunne loses her legs), plus a musical, The Wizard of Oz, a western, Stagecoach, and a romantic comedy, Ninotchka - all of which are close to being the definitive examples of their genres...

Author: /time Magazine | Title: Why the Oscars Need 10 Nominees | 6/25/2009 | See Source »

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