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...jewelry belonging to one of the residents of the F-Entry triple were taken from the room between 10:30 p.m. and midnight, according to the room's residents. "The thief didn't take much of value except the cameras. He was looking for little stuff," said Victoria J. Wohl '88, who lives in the room...

Author: By Brooke A. Masters, | Title: Yearbook Equipment Stolen From A-House | 2/10/1986 | See Source »

...same time, Elliott was listening carefully to campus debate and engaging friends like Wohl and Mensah in marathon dining hall symposia on contemporary events. What I saw was a very deep and honest, not Chie, belief that there is deep injustice in the world and a great need for social change on many levels, that government has a necessary role to play, he says. "My previous assumptions did not admit that need." His sympathies still lie with Reagan rather than Tip O'Neill, with individualism rather than collectivism. "On most issues that are raised by undergraduate political leaders. I have...

Author: By Paul M. Barrett, | Title: Small Town Boy in the Big City | 6/9/1983 | See Source »

Elliott has maintained a small circle of close friends here, and they have joked since freshman year about the entrenched conservative attitudes he arrived with. "He was the first person I'd met who I disagreed with on everything," says Kathy Wohl. "Oh, yes," laughs her roommate Lisa Mensah. "I think Tracy was as shocked by us as we were by him sometimes. "They exchanged teasing gifts over the years, Elliott sending Wohl a red, white and blue license plate declaring, "God, Guns and Guts Made America/Let's Keep All Three." The two women, meanwhile, still laugh over his admission...

Author: By Paul M. Barrett, | Title: Small Town Boy in the Big City | 6/9/1983 | See Source »

...camera that has worked this change in the eye of the viewer belongs to Ira Wohl, a gifted documentary film maker who is also Philly's cousin. His approach during three years of filming was quite unlike the disdainful stare of cinéma verité, although much of what he recorded is bleak. The tone of the film is passionate advocacy, and its real subject is the dignity of love in a family hard-pressed by age and illness. Pearl, Philly's mother, is in her late 70s, and Max, his father, is three years older...

Author: /time Magazine | Title: Cinema: Family Portrait | 4/21/1980 | See Source »

...Yeah!" he answers. Back home he chatters happily with his mother about the outing, as a four-year-old child might do. Perception of Philly as a large, awkward child is a way for the viewer to think of him without horror. But he is not a child, and Wohl's film leads onlookers past this point-to an understanding of Philly as a grown man, cruelly limited, but with high courage and an enormous compensating ability to give and receive love...

Author: /time Magazine | Title: Cinema: Family Portrait | 4/21/1980 | See Source »

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