Word: wolfs
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Dates: during 1970-1979
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Another outstanding success in Europe was The London Howling Wolf Sessions, with Eric Clapton, Steve Winwood, Bill Wyman, Charlie Watts, and others. The personality of Wolf towers over the record, which is a testimony both of the record, which is a testimony both of the power of the man and of the humility and restraint of his assistants. The sound is very clean and precise; and while the choice of material includes famous hits ("Red Rooster," "I Ain't Superstitious," "Sitting on Top of the World"), one could complain that a precious opportunity was missed to capture more of Wolf...
Young and energetic, John Hightower came down on the Museum of Modern Art like a wolf on the fold -only to find that the fold was full of veteran wolves. He told the trustees to their faces: "I am not interested in the museum as an elegant warehouse for gems, but in its value as an educational force. I'm interested in changing the direction of the museum...
...other tracks worth mentioning are a tremendously powerful version of Howlin' Wolf's "Evil" and "Mean Night in Cleveland", a number based on an old blues riff. Given the strength of these two cuts, both of which are excellent. Cactus might well consider changing directions (or is it assume a direction) and try to bring blues rock back into popularity...
...free speech and to defend an outrageous example of irresponsible scholarship. Robert B. Leflar '72 Phllip N. Alexander '73 Ronald L. Tresper, tutor Harvey Nicholls '73 Donna J. Brorby '73 Kenneth R. Manning, tutor Harllsos A. Lessios '73 Kenneth H. Hass '72 Frank R. Beaton '72 Betsy L. Wolf '73 Marcin A. Duncan '74 Bernard Lo, tutor and 93 other members of Dunster House...
Guralnick takes the reader many places: in Chicago, to Muddy Waters' house, to the moribund offices of Chess and to the hospital for a visit with Howling Wolf; to Newport, 1964, for the dramatic recovery of Skip James; to backwoods Louisiana, for "a real country supper" with Robert Pete Williams; and to Memphis, for visits with Jerry Lee Lewis and Charlie Rich. Wherever possible, he lets the artist tell his own story. He wastes little time attempting to describe a musician's style, instead concentrating on tracing the man's influences. One begins to sense the intimacy of the circles...