Word: wolfs
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Dates: during 1970-1979
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Muddy Waters is the king of dirty blues, down-home blues, funky blues or straight blues-most properly known as Delta or country blues. Along with such other black masters of this unique American art form as B.B. King and Howlin' Wolf, Muddy is riding the crest of a surprisingly long-lived blues revival. Of them all, he remains the purest, the most loyal to where he has been and what it has cost him. Muddy's brand of Delta blues is supposed to follow the traditional twelve-bar structure, but as often as not uses eleven...
...According to Mary, he did not really intend to betray his country but to persuade it with right reason. He saw himself as a Confucian scholar-statesman, and plastered the town of Rapallo with moralistic slogans: HONESTY IS THE TREASURE OF STATES. His daughter sees him as a lone wolf howling in a world gone...
Most behavioral scientists agree with University of Montreal Criminologist Ezzat Abdel Fattah, who contends that "there are people who attract the criminal as the lamb attracts the wolf." Some of these victims are masochistic or depressed; Criminologist Hans von Hentig described them as longing "lustfully" for injury...
...concentration camp" at Kennedy Stadium, but people who were said it was pretty brutal. Yet to call it a concentration camp is to evoke Dachau and Auschwitz, but the government is not yet there, and to evoke images as if it were is to cheapen language, to cry "wolf." And the left should let the destruction of sense in language remain with Nixon; let him call fighting a war "ensuring the peace" and an invasion an "incursion" and let us say what we mean so plainly and truthfully that people will know the difference...
...Hour of the Wolf, his next film, seemed a throwback, a last effort to exorcise personal demons in a traditional story film. But the subsequent Shame is a vision completely externalized. The film begins in darkness; an alarm clock rings, bedroom shades are thrown open, and until the portrayed artist and his wife finally set adrift in a sea of war dead, the audience is enveloped in a dream objectified by the directness of Bergman's artistry. One recognizes the degree of control the filmmaker has exercised because his film is so concentrated, so perfectly removed from the real world...