Word: woman
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Dates: during 1930-1939
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That's what makes it so hard to understand in "The Singing Kid" why she runs away with his lawyer leaving Al to face the T Men from the Internal Revenue Department. But Claire Dodd, who once again is the unfaithful, deceitful woman does just that with Lyle Talbot, who is cast in the unfamiliar role of the unpleasant attorney...
...step and identified themselves with the jailed Communist or the terrorized picket are relatively few. But the identity is there; and the protest is shaped out of the same sound impulse in both cases. After all, armies are never made up of altruists. Only a few men fought for woman suffrage; only a handful of Gentiles will work with genuine zeal for the rescue of the German Jews. As long as repression, however widespread, is aimed chiefly at workers and avowed radicals, the middle class will inevitably minimize its importance or deny its existence. But when the stink bombs begin...
...hospital, if their doctors order it. Patients pay their doctors separately. If a member has an accident anywhere in the U. S. or Canada outside the New York area and is taken to a local hospital, the New York service pays part of his hospital bill. A woman must pay premiums for at least ten months, as Mrs. Laibson did, before she can get her obstetrical bills paid...
...blow in all directions at once, the sky is usually spattered with flights of birds, and people pursue their business or pleasure with bounce and intensity in the paintings of Doris (''Doric") Emrick Lee. Even a sleeper sleeps so soundly that he looks dead, and a woman threading a sewing machine is obviously incapable of fatigue. When young Mrs. Lee's bustling kitchen scene, Thanksgiving, was awarded the Chicago Art Institute's $500 Logan prize last autumn, Mrs. Frank Logan pointed her finger in scorn, called it an "awful thing'' (TIME, Nov. 18). Shortly...
...fondest is The Runaway, showing a girl in a streaming yellow dress gripping the mane of a bolting horse. The Haunted House is a dilapidated structure, surrounded by grim and groping trees, with all the windows on the third floor boarded up except one from which a wildly gesticulating woman is leaning. One of the best is The Widow, an Amazonian figure with feet planted wide apart, grasping the bridles of two snorting, dancing horses. There is one nude, a pert, heavy-legged girl with fruity lips, combing a mop of chocolate-colored hair. Doris Lee's brush...