Word: woman
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Dates: during 1950-1959
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...film is spotted with a succession of little horrors. We see the two convicts with nooses around their necks, surrounded by an angry mob; a woman's voice pipes up, "What you menfolks goin' t' do?" The pursuing posse includes a little man who plays rock and roll on a portable radio--so that, with each flashback, the audience will remember who these people...
...tranquil poem, the best kind, and Sandy Kaye's piece seems to have an uncommon fragility about it. A lady sits in a doorway of Vermeer's "Street in Delft," thinking of the quiet and the secure things she knows about her faded old home. The poem is the woman talking, and yet it is not the woman talking because her thought seems to transcend her feeling. Be sure to hunt up the print in the library if you like the poem...
...movie-actress marriage after Aly's divorce from Rita Hayworth. With her need for stability unmet. Gene's anxiety grew worse. In New York she walked out on a TV commitment to play Nora in Ibsen's A Doll's House, the part of a woman squashed by the strictures of society and an overbearing husband. The anxiety had reached the point of making her really sick, soon led to a critical emotional breakdown...
...legal wife and son at Mill Valley, Calif., a mistress at Monterey who bore him five children and who, as Mrs. Eleanor McPartland, was named the city's 1956 "Mother of the Year." Later, McPartland's legal widow submitted the daughter of an unnamed third woman as one of the novelist's rightful heirs...
...home again. But this time it is the boy who belonged to the town's upper crust and the girl who lived on the dreary lower-lower level. Tom had first seen Rhoda coming from a typing class, and after that there was really no other woman for him, except on the rebound. He had just sold his first play, and in the happy Fitzgerald days he showed Rhoda a world she could not even imagine. But no matter how much Tom earned, Rhoda could not get over the fear that the theater was a precarious life. Her fetish...